contact us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.

665 Broadway, Suite 609
New York, NY
USA

The NYU Cinema Research Institute brings together innovators in film and media finance, production, marketing, and distribution to imagine and realize a new future for artist-entrepreneurs. 

Archive

Tim League on What Follows in Distribution After IT FOLLOWS Succeeds

Miranda Sherman

badassdigest.com

badassdigest.com

Tim League's call for greater flexibility in the film distribution landscape - which is broadening rapidly and without any sign of slowing down - is one that should be echoed by filmmakers who want a shot at both theatrical distribution and the revenue potential of VOD. 

League argues:

What I would love to see in the wake of It Follows' success is increased flexibility by allthe major players involved: VOD platforms, cinemas and iTunes alike. Strong indie films with a chance of breaking out would begin with a 2-4 week theatrical window. If they do extremely well, the VOD and iTunes windows would be pushed back to allow the theatrical revenues to be maximized and for awareness of the film to build. At the same time, expansion market cinemas would be willing to pick up the film, provided it crossed certain revenue thresholds in its first two weeks of release. If the theatrical grosses aren't there, the film would stick to the compressed-window strategy or maybe play in those expansion markets with just a few showtimes. 

To date, the cinema industry is largely unwilling to discuss any flexibility in the way independent films are booked. I am in accord with the industry that new-release blockbusters need to have a long exclusive theatrical window. But for independent films, we need greater flexibility.

Read the rest of League's persuasive piece at badassdigest.com