http://www.cri.nyu.edu/footer-folder daily 0.75 2013-02-21 http://www.cri.nyu.edu/cri-blog daily 0.75 2015-11-02 http://www.cri.nyu.edu/cri-blog/postid monthly 0.5 2014-10-16 http://www.cri.nyu.edu/cri-blog/category/Crowdfunding+Platforms monthly 0.5 http://www.cri.nyu.edu/cri-blog/category/Micro-Budget+Slate monthly 0.5 http://www.cri.nyu.edu/cri-blog/category/News monthly 0.5 http://www.cri.nyu.edu/cri-blog/category/Global+Co-Productions monthly 0.5 http://www.cri.nyu.edu/cri-blog/category/Uncategorized monthly 0.5 http://www.cri.nyu.edu/cri-blog/category/Transparency+in+Film monthly 0.5 http://www.cri.nyu.edu/cri-blog/category/Multicultural+Dist. monthly 0.5 http://www.cri.nyu.edu/cri-blog/tag/film+finance monthly 0.5 http://www.cri.nyu.edu/cri-blog/tag/distribution monthly 0.5 http://www.cri.nyu.edu/2012-fellows daily 0.75 2014-09-29 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411957971434-V956UP9XVE23TDXA47RQ/327070_10150430799432392_320984140_o.jpg 2012 Fellows - Ryan Heller Ryan is a film and digital media producer and a recent graduate of New York University’s M.B.A./M.F.A. dual degree. Ryan’s producing credits include music videos for Amanda Palmer (Dresden Dolls) and Trevor Giuliani (Dovecote Records), film-based content for global brands such as Cisco, Vita Coco and I LOVE New York and narrative films, including Nightlife which had it’s world premier at the 2011 Tribeca Film Festival. Maintaining a strong interest in digital media, Ryan has led projects for Focus Features and HBO and currently works as Senior Manager of Digital Media at Starz Media where he creates content and businesses across a variety of digital platforms. In a previous life Ryan was a founding member of the critically acclaimed rock band Aberdeen City. He holds a B.A from Boston College and currently lives in New York City.   I have developed a comprehensive economic snapshot of independent film available by accruing production costs, box office, home video, digital revenues, marketing/P&A, agency fees and festival spends. The goal of the project is to create a comprehensive, updatable document and to bring transparency to the economics surrounding independent film. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411957984129-MM2QL8VUR1FLDT2DXE44/claireharlam.jpg 2012 Fellows - Claire Harlam Claire is a New York City born, raised, and based producer and a member of the inaugural class of NYU Tisch and Stern’s MBA/MFA producing program. Claire has produced award-winning short films, commercials, and web content. Claire’s work has screened at SXSW, the Sarasota Film Festival, the Anthology Film Archives, and other festivals and institutions around the country. As a current Cinema Research Institute fellow, Claire is studying online communities in order to understand how tools for film funding, distribution, and discovery should support them. Claire has worked at Killer Films, was selected for Stern’s Industry Mentorship Initiative program at Time Warner, and was awarded the IFP/Marcie Bloom Fellowship in Film. Before graduate school, Claire was an honors student at Brown University where she studied art-semiotics and was awarded a Weston Award in Fine Arts for her filmmaking. Claire is a big proponent of spare time and spends most of hers playing music and high-fiving her mutt puppy, Otis.   I have studied the role that community plays in new online tools for filmmakers and fans from behavioral and economic perspectives. I have researched how and why online communities form and endure in order to understand how tools for film funding, distribution, and discovery should support them. The underlying question of my research was how tools are currently helping or could better help filmmakers find and engage their fans, and, in turn, help fans find the films they want to see but don't realize exist. To address this question, I developed an evolving online resource to help filmmakers and fans navigate this online space. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411958014574-JXPHBWFR2HL3OONXS16Z/1005900_10100221579384941_161682704_n.jpg 2012 Fellows - Edward McDonald Edward holds a Bachelor’s of Science in Computer Science from the United States Military Academy at West Point. Before entering the Graduate Film Program at Tisch, he served as an Air Defense Artillery Officer in the US Army, as an internal auditor at the CBS Corporation and PricewaterhouseCoopers LLC. His goal is to make films that not only entertain, but also open dialogue and break down stereotypes and prejudices. The films he has produced or directed have screened at festivals all over the world including: 38th Annual Student Academy Awards, Slamdace, Palm Springs, Woodstock, Cinequest, Clermont-Ferrand, and Gen Art.   I have developed a new model of independent filmmaking focused on the production of feature films produced within the walls of the university system that will hopefully make dollars and sense. http://www.cri.nyu.edu/2014ellows daily 0.75 2014-10-16 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411792307216-0HW55EOQA7VF9KDMGAU2/forest.jpg 2014 Fellows - Forest Conner Forest Conner graduated from Rensselaer Polytechnic Institute in 2006 with a dual-degree in Computer Science and Psychology, specializing in Artificial Intelligence Research. Subsequently he worked in the fast-paced world of software development in Silicon Valley for the networking giant Cisco Systems, Inc. until his entry into the dual MBA/MFA program at NYU Tisch School of the Art and Stern school of business. Through the dual-degree program, he focused his study on independent film production and entrepreneurship in the film industry. He had produced numerous award-winning short films and web series, most notably Double Crossed, a branded web series produced for Subway Sandwiches that debuted at South By Southwest in 2013. Forest currently works at the digital distribution company VHX as a Data Scientist where he analyzes various sets of information to create insights into effective models of distribution for independent films. Forest was born and raised in Charlotte, North Carolina. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411792307216-0HW55EOQA7VF9KDMGAU2/forest.jpg 2014 Fellows - Forest Conner Forest Conner graduated from Rensselaer Polytechnic Institute in 2006 with a dual-degree in Computer Science and Psychology, specializing in Artificial Intelligence Research. Subsequently he worked in the fast-paced world of software development in Silicon Valley for the networking giant Cisco Systems, Inc. until his entry into the dual MBA/MFA program at NYU Tisch School of the Art and Stern school of business. Through the dual-degree program, he focused his study on independent film production and entrepreneurship in the film industry. He had produced numerous award-winning short films and web series, most notably Double Crossed, a branded web series produced for Subway Sandwiches that debuted at South By Southwest in 2013. Forest currently works at the digital distribution company VHX as a Data Scientist where he analyzes various sets of information to create insights into effective models of distribution for independent films. Forest was born and raised in Charlotte, North Carolina. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411792307349-W427V78ZSOPN33OGYBXW/artel.jpeg 2014 Fellows - Artel Great Artel is a knowledge worker and social practice artist whose intellectual and artistic work explores methods of critical intervention through creative engagement. His professional and academic achievements situate his work in an intriguing public framework. Born and raised in Chicago, Illinois, Artel graduated high school at age 16 and matriculated at Columbia College, where he toured the Midwest as a performance artist before landing supporting roles in several Hollywood studio films including, the box-office hit, Save the Last Dance. Artel’s media output has been described as “multilayered” by the New York Times, “warm, outgoing, direct, funny, and endearing” by the LA Times and “virtuoso” by the LA Weekly, and he is also the winner of a Film Independent Spirit Award nomination. Artel is the first African American valedictorian at the University of California, Los Angeles, (UCLA) School of Theater, Film, and Television, where he graduated summa cum laude, and also holds a Master’s degree in cinema and media studies. Artel teaches film history at New York University’s Tisch School of the Arts, where he is a Ph.D candidate in cinema studies. As a Cinema Research Institute Fellow, Artel’s work is focused on re-imagining film distribution strategies to offer a poetic and pragmatic solution that addresses issues of media diversity for underserved populations. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416225276-EVYGT1TEMFH4YARW1IN3/Michelle+Ow+Bio+Pic.jpg 2014 Fellows - Michelle Ow Michelle is a second-year MBA student at NYU Stern and a producer for Promotion Pictures, a branded entertainment company that brings together graduate students across NYU to create cutting-edge multimedia campaigns for major consumer brands. Michelle has worked at HBO, Vimeo, and the Disney-ABC Television Group. At the latter, she developed and pitched strategic recommendations for a digital TV service targeted to millennials that have never subscribed to cable. Prior to Stern, she was a broadcast and cable analyst at the media research firm SNL Kagan. Her Cinema Research Institute fellowship project will test whether dynamically priced tickets sold over a mobile platform can increase theatrical attendance. Michelle graduated from the University of Chicago with a B.A. in Economics. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411792308190-GLNC4C41ZX6K483KMF7H/ColinWhitlowHeadshot.png 2014 Fellows - Colin Whitlow Colin Whitlow works in business development at Start Media, an NYC-based company with interests in film production, financing and exhibition. In 2013 he became one of the first graduates of NYU’s pioneering MBA/MFA dual degree program. During the program he produced 15 shorts from the US to the Dominican Republic and China and received the Media Services Graduate Film Production Fund Award, NYU’s highest honor for producing students. Prior to that he worked at YouTube where he built systems that analyzed user behavior to improve the product. A native Virginian, Colin received his undergraduate degrees in English and Studio Art from the University of Virginia. http://www.cri.nyu.edu/cri-blog-archive daily 0.75 2016-03-12 http://www.cri.nyu.edu/cri-blog-archive/chat-with monthly 0.5 2016-03-15 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1458054321420-1GEFG4AS2O6GG868EVG5/image-asset.jpeg Archive - Chat with Documentarian Sam Green about Live Documentary Sam Green presenting his Live Documentary The Measure of All Things. http://www.cri.nyu.edu/cri-blog-archive/inspirations-part-3-sam-greena-gesamtkunstwerk monthly 0.5 2016-03-01 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1456787128286-K7P5CW189TXSUL5II4PT/Richard+Wagner+popularized+the+term+Gesamtkunstwerk+to+misprophesize+the+next+big+thing. Archive - Inspirations Part III - Sam Green/A Gesamtkunstwerk Richard Wagner popularized the term Gesamtkunstwerk to misprophesize what would be the next cultural juggernaut. http://www.cri.nyu.edu/cri-blog-archive/inspirations-part-ii-dan-carlins-hardcore-history monthly 0.5 2016-02-02 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1454415412843-HOA66YN09U3GA4CTGVQO/Jan_van_Leiden.jpg Archive - INSPIRATIONS PART II - DAN CARLIN'S HARDCORE HISTORY Jan Van Lieden, one of the characters chronicled in Hardcore History's The Prophets of Doom episode. Image: courtesy of Wikimedia Commons. http://www.cri.nyu.edu/cri-blog-archive/inspirations-part-1 monthly 0.5 2016-01-20 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1453149859812-FS6G5U5DJ8AEOM54B2GM/image-asset.jpeg Archive - INSPIRATIONS Part 1 Brent Lee performs in Subatomic Time. http://www.cri.nyu.edu/cri-blog-archive/talking-to-your-neighbor-through-berliners monthly 0.5 2016-01-11 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1452552798552-YJXAR65PBGA3L4LVJYR5/image-asset.jpeg Archive - TALKING TO YOUR NEIGHBOR THROUGH BERLINERS BERLINER (2010) http://www.cri.nyu.edu/cri-blog-archive/studio monthly 0.5 2015-12-16 http://www.cri.nyu.edu/cri-blog-archive/determinism-vs-freewill-considering-interactive-film monthly 0.5 2015-12-16 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1450282609952-KYS9C3M0I5DGBFAI7AHW/image-asset.jpeg Archive - DETERMINISM VS. FREEWILL: CONSIDERING INTERACTIVE FILM Above, an ethnic German who lived in Poland under Nazi occupation. This still is from the “cutting room floor” of my documentary 130 Year Road Trip. It didn’t fit into the narrative of the overarching film and is not in the documentary. Does it stay on my hard drive until that hard drive fails or can that content be made available to audiences that are interested in watching it? http://www.cri.nyu.edu/cri-blog-archive/making-history-make-history monthly 0.5 2015-12-16 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1450282538596-MT7PQ3EV4ZVY0GUSTQD9/image-asset.jpeg Archive - MAKING HISTORY MAKE HISTORY Enthusiastic young Nazis in 1934. What if they controlled the narrative? Image courtesy of Bundearchiv http://www.cri.nyu.edu/cri-blog-archive/historians-on-film-and-why-film-should-care monthly 0.5 2015-12-16 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1450282483031-CDW1UDPG8CHS7MCALLUX/image-asset.jpeg Archive - HISTORIANS ON FILM AND WHY FILM SHOULD CARE The American Historical Review, volume 93, from 1988. Historians talk turkey about film. http://www.cri.nyu.edu/cri-blog-archive/two-solitudes-leaving-history-to-the-historianswill-you-walk-on-by monthly 0.5 2015-12-16 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1450282415378-JFVQUIBP8NEKA7KGKH16/image-asset.jpeg Archive - TWO SOLITUDES: LEAVING HISTORY TO THE HISTORIANS/WILL YOU WALK ON BY? Group of Cree men at Fort Pitt, Saskatchewan, 1884. Image: NA-382-1 courtesy of Glenbow Archives. Questions this image raises: How do we tell these people's stories in documentary form with care, detail and critical distance? Who would each one identify with in The Breakfast Club? Does anyone ever identify with the principal? Note: Mean Girls in the background. http://www.cri.nyu.edu/cri-blog-archive/how-to-show-tell-the-truth-about-the-past-1 monthly 0.5 2015-12-16 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1450282236955-7MQ3XUCBFJ6AZDH1OJOW/nelsonblog1.jpeg Archive - HOW TO (SHOW &) TELL THE TRUTH ABOUT THE PAST IN THE ARCHIVES. Historian Rob Nelson flips though a 19th century book on agrarian policy that is relevant to his research. It was used by soldiers to block out windows in the Battle for Berlin in 1945. Still from 130 Year Road Trip, my feature documentary, that I will be transforming into a Live Documentary: a performance of the the film with onstage music, narration and screened clips. http://www.cri.nyu.edu/cri-blog-archive/stay-tuned-vr-filmmaking monthly 0.5 2015-11-04 http://www.cri.nyu.edu/cri-blog-archive/stay-tuned-studio-reimagined monthly 0.5 2015-11-03 http://www.cri.nyu.edu/cri-blog-archive/stay-tuned-live-documentary monthly 0.5 2015-11-03 http://www.cri.nyu.edu/cri-blog-archive/stay-tuned-cronies monthly 0.5 2015-11-02 http://www.cri.nyu.edu/cri-blog-archive/stay-tuned monthly 0.5 2015-11-02 http://www.cri.nyu.edu/cri-blog-archive/film-financing-series-sales monthly 0.5 2015-08-31 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1440616894363-8HFLVXVCX0YKYVPJRSGU/image-asset.jpeg Archive - Film Financing Series: Sales c/o: www.cinemag.fr http://www.cri.nyu.edu/cri-blog-archive/film-financing-series-distribution monthly 0.5 2015-08-26 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1440608209070-G39S7D5J82NX3Y1PM6BP/image-asset.jpeg Archive - Film Financing Series: Distribution c/o www.purplekittyproductions.com http://www.cri.nyu.edu/cri-blog-archive/indieloop-to-rep-nyu-at-nyu-yale-pitch-competition monthly 0.5 2015-07-13 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1436810174983-CMS3YHDUOE7IB4O9R722/image-asset.jpeg Archive - IndieLoop to Rep NYU at NYU-Yale Pitch Competition! IndieLoop is a web platform for indie filmmakers to collaborate and share resources http://www.cri.nyu.edu/cri-blog-archive/cri-projections monthly 0.5 2015-06-03 http://www.cri.nyu.edu/cri-blog-archive/documentary-grassroots-distribution-broken-heart-land monthly 0.5 2015-04-02 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1428013612364-FRP8MU66ELXWN7PH9Z5C/image-asset.png Archive - Documentary Grassroots Distribution: BROKEN HEART LAND http://www.cri.nyu.edu/cri-blog-archive/tim-league-on-what-follows-in-distribution-after-it-follows-succeeds monthly 0.5 2015-04-02 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1428007971567-DGCLPNVJN48JRQ3805VA/image-asset.png Archive - Tim League on What Follows in Distribution After IT FOLLOWS Succeeds badassdigest.com http://www.cri.nyu.edu/cri-blog-archive/sharing-the-love-a-round-of-applause-for-shonda-rhimes-and-kerry-washington monthly 0.5 2015-03-24 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1427214058455-NWQCCJVZL5KYS0EWBY46/image-asset.jpeg Archive - Sharing the Love: A Round of Applause for Shonda Rhimes and Kerry Washington http://www.cri.nyu.edu/cri-blog-archive/q5u8v4be7e6qu10wh3243sueh1cu7q monthly 0.5 2015-03-19 http://www.cri.nyu.edu/cri-blog-archive/tbt-grassroots-distribution-holiday-edition monthly 0.5 2014-12-25 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1419544884903-JDCG9BL6UK9JFESK2FJY/courtesy+of+TIME Archive - #TBT - Grassroots Distribution: HOLIDAY EDITION! originally published in TIME http://www.cri.nyu.edu/cri-blog-archive/tbt-grassroots-distribution-offline-organizing-leads-to-online-metrics monthly 0.5 2014-12-18 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418925098122-RND4ZE9J79JH68CY5OT8/image-asset.gif Archive - #TBT - Grassroots Distribution: Offline Organizing Leads to Online Metrics http://www.cri.nyu.edu/cri-blog-archive/tbt-grassroots-distribution-growing-campains monthly 0.5 2014-12-11 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418332663747-96YQ7UQJHIP817TG1R7P/image-asset.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418332749274-L1O8VVBTNYG6EV2YQQ03/image-asset.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337956481-97HAI59AQ868XCPAXVDT/Screen+Shot+2014-12-11+at+4.36.13+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337821282-8UE9KT1OCKDJ28FG0SIV/beasts+london.jpg Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337952671-1245G2ZEASNQGKMDJG4O/Screen+Shot+2014-12-11+at+5.45.05+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337954988-3PTKF0GDIJA3SB9ZHEPZ/Screen+Shot+2014-12-11+at+4.39.50+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337952984-MOB4L8PGWDUKB05JPCBY/Screen+Shot+2014-12-11+at+5.44.49+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337956607-1QM5C6UX59I2IQZFPC43/Screen+Shot+2014-12-11+at+4.37.22+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337954643-OXGO41OL91ER4MY393B5/Screen+Shot+2014-12-11+at+5.41.58+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337953815-5UJCRZ4EQW74I6UQVHEG/Screen+Shot+2014-12-11+at+5.44.31+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337954665-HMRT6ALKXR9MJELUPAWX/Screen+Shot+2014-12-11+at+5.44.08+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418337955216-8HGU2OHRSDV5UEPZ4C0D/Screen+Shot+2014-12-11+at+4.38.26+PM.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1418332246132-DLSOM2UU55R6VGBGS8D8/image-asset.png Archive - #TBT - Grassroots Distribution: Growing (Cam)Pains http://www.cri.nyu.edu/cri-blog-archive/tbt-grassroots-distribution-defining-grassroots monthly 0.5 2014-12-04 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1417735955026-8G1GCPTPHJKGANU5OXE0/image-asset.jpeg Archive - #TBT - Grassroots Distribution: Defining Grassroots https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1417735753064-WCDTI9KXBSSCUYCAOX3Z/http%3A%2F%2Fcargocollective.com%2FNSalmons%2FObama-Presidential-Elections-New-Hampshire Archive - #TBT - Grassroots Distribution: Defining Grassroots Cargo Collective https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1417735419876-FKS34CQ5GPP9YCK4BXF3/snowflake+chemistry.jpg Archive - #TBT - Grassroots Distribution: Defining Grassroots ChemStuff http://www.cri.nyu.edu/cri-blog-archive/tbt-grassroots-distribution-the-challenge-of-indie-film-distribution monthly 0.5 2014-11-27 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1417071862593-L2OM5PKCKWRGGY0IAPWF/tagcloudobama.jpeg Archive - #TBT - Grassroots Distribution: The Challenge of Indie Film Distribution https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1417071136875-7L6TM8RTUIYZVD433V14/image-asset.jpeg Archive - #TBT - Grassroots Distribution: The Challenge of Indie Film Distribution https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1417070947250-VFMXP0R15ZZCMU68IJ02/image-asset.jpeg Archive - #TBT - Grassroots Distribution: The Challenge of Indie Film Distribution http://www.cri.nyu.edu/cri-blog-archive/cri-mentors-jeffrey-kusama-hinte monthly 0.5 2014-11-27 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1416957805844-3Z5XCXHFR9WXFZ7DD2T0/image-asset.jpeg Archive - CRI Mentors: Jeffrey Kusama-Hinte http://www.cri.nyu.edu/cri-blog-archive/tbt-cri-style-josh-penn-michael-gottwald-on-grassroots-distribution monthly 0.5 2014-11-20 http://www.cri.nyu.edu/cri-blog-archive/visibility-equals-power monthly 0.5 2014-11-19 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1416264409190-ZXP53BLUM9ND7KRA09U0/image-asset.jpeg Archive - 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0.75 2014-10-15 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411957240464-JZ6PNYYTHWKC2K88JTK5/Ryan%2BSilbert%2BVenice%2BFamily%2BClinic%2BSilver%2BCircle%2B_lNlJXQkiubl.jpg 2013 Fellows - Ryan Silbert Ryan is a NY-based filmmaker with award-winning work recognized by the Academy Awards®, the Canadian Academy of Film and Television, Sundance, MoMa, IFP, the Toronto International Film Festival, and the Berlinale. Recent films include producing credits on Sundance selection and Gotham Award winning Holy Rollers, God Of Love (Oscar® Winner Best Live Action Short), Doubles With Slight Pepper (TIFF Jury Prize and Canadian Academy Screen Award Winner), and the in-development Stephen King feature adaptation The Girl Who Loved Tom Gordon. Additional feature producing credits include The Girl is in Trouble Executive Produced by Spike Lee, Bastards of Young and the recently wrapped A Birder's Guide to Everything starring Academy-Award winner Sir Ben Kingsley. He is a current Toronto Talent Labs, IFP Narrative Labs, and Berlinale Talent Campus film fellow and a member of the Cornell Communication Department Advisory Board. His commercial work as a producer and director includes tv, digital and experiential programs for illy, BBC-America, Cisco, Absolut, Verizon Wireless and DirecTV. Previously Ryan was a Director at the public relation/marketing agency Bratskeir & Company where he lead campaigns for Hasbro, Jim Beam, and L'Oreal. An MFA-Candidate at NYU’s Tisch School of the Arts he is a 2013 Fellow at the Cinema Research Institute where he is focused on storytelling at the cross-section of film, video games and technology. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411957240464-JZ6PNYYTHWKC2K88JTK5/Ryan%2BSilbert%2BVenice%2BFamily%2BClinic%2BSilver%2BCircle%2B_lNlJXQkiubl.jpg 2013 Fellows - Ryan Silbert Ryan is a NY-based filmmaker with award-winning work recognized by the Academy Awards®, the Canadian Academy of Film and Television, Sundance, MoMa, IFP, the Toronto International Film Festival, and the Berlinale. Recent films include producing credits on Sundance selection and Gotham Award winning Holy Rollers, God Of Love (Oscar® Winner Best Live Action Short), Doubles With Slight Pepper (TIFF Jury Prize and Canadian Academy Screen Award Winner), and the in-development Stephen King feature adaptation The Girl Who Loved Tom Gordon. Additional feature producing credits include The Girl is in Trouble Executive Produced by Spike Lee, Bastards of Young and the recently wrapped A Birder's Guide to Everything starring Academy-Award winner Sir Ben Kingsley. He is a current Toronto Talent Labs, IFP Narrative Labs, and Berlinale Talent Campus film fellow and a member of the Cornell Communication Department Advisory Board. His commercial work as a producer and director includes tv, digital and experiential programs for illy, BBC-America, Cisco, Absolut, Verizon Wireless and DirecTV. Previously Ryan was a Director at the public relation/marketing agency Bratskeir & Company where he lead campaigns for Hasbro, Jim Beam, and L'Oreal. An MFA-Candidate at NYU’s Tisch School of the Arts he is a 2013 Fellow at the Cinema Research Institute where he is focused on storytelling at the cross-section of film, video games and technology. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411957271735-CMSH9LXQDK6H1ROO2G7Q/1597387_10154022128875554_2246458563011064269_o.jpg 2013 Fellows - Micah Schaffer Micah is a filmmaker and educator whose work focuses on forging unexpected connections between people and finding humanity in unforeseen places. Micah graduated from Stanford University with a degree in History/Anthropology and served as a Peace Corps Volunteer in Guinea, West Africa. While in Guinea, Micah attended the Pan African Film Festival and was inspired to become a filmmaker. Upon his return to the U.S. he worked with Oscar-Winning documentarian Daniel Junge on several films, including Iron Ladies of Liberia (a BBC/PBS film which followed the first year in office of Ellen Johnson-Sirleaf, Africa’s first female president). Micah’s first feature documentary, Death of Two Sons, was awarded the HBO “Life Through Your Lens” Emerging Documentary Filmmaker Award and was distributed through Netflix. Micah has also made films in Afghanistan, Cambodia, Sri Lanka, and India. Micah attended the MFA program at NYU’s Tisch School of the Arts, where he wrote and directed several short narrative movies. (His short script On the Wall, slated for production later this year, received the Alfred. P. Sloan Foundation Production Award and the Spike Lee Production Award.) Micah is currently a Fellow at the Cinema Research Institute, where he is studying the future of the Co-Production and cross-border financing for independent film. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411957493821-RV1CHQ45QBIXN066RIR8/gottwald.jpg 2013 Fellows - Michael Gottwald Originally from Richmond, Virginia, Michael graduated from Wesleyan University with a degree in Film Studies in 2006, after having assistant directed Benh Zeitlin's first film egg (2004) and directed his own film Frame of Reference (2006). He served as Executive Producer on Court 13's Glory at Sea in 2007, concurrently working for the Center for American Progress in Washington, D.C.; in 2008 he worked for Obama for America as a Field Organizer during the primaries, and as Ohio New Media Director during the general election. With Josh Penn and Dan Janvey, Michael produced Court 13’s first feature film, Beasts of the Southern Wild, directed by Benh Zeitlin. Beasts won the Grand Jury Prize at Sundance in January 2012 and the Camera d’Or at Cannes in May 2012; it was nominated for four Academy Awards – Best Picture, Best Director, Best Actress, and Best Adapted Screenplay. Michael also produced documentary filmmakers the Ross Brothers’ second feature, Tchoupitoulas, which premiered at South by Southwest in March 2012 and was distributed by Oscilloscope Laboratories in more than 25 cities in late 2012 and early 2013. Currently, he’s producing the Brothers’ third feature, Western, as well as Ping Pong Summer, an 80’s era coming of age comedy, directed by Michael Tully and starring a mix of undiscovered local teenagers and Lea Thompson, John Hannah, Amy Sedaris, Judah Friedlander, and Susan Sarandon. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411957493883-9LPCN1K7RCWROQOR67BR/Josh%2BPenn%2BFox%2BSearchlight%2BPictures%2BPresents%2Brh96Tpq7Imdl.jpg 2013 Fellows - Josh Penn Academy Award nominated producer Josh Penn’s films, including Beasts of the Southern Wild, have won over 50 awards internationally, including Sundance's Grand Jury Prize and Cannes' Camera d'Or. In addition, Josh received the Sundance & Indian Paintbrush Producer's Award and is a nominee for Outstanding Producer in this year's Producers Guild Awards. Upcoming projects include a stop-motion animated film by Henry Selick (Coraline, The Nightmare Before Christmas), the documentary Tchoupitoulas (Hotdocs-HBO Emerging Filmmaker Award), as well as several feature debuts of top emerging filmmakers. Josh previously worked as the Michigan New Media Director for President Obama's 2008 campaign and as Senior Program Manager for the re-election campaign. http://www.cri.nyu.edu/advisory-board daily 0.75 2014-10-21 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1412870344684-0LNPM88NAM0I2GJUTOCO/20131006_inq_pdnvague06-b.JPG Advisory Board - Richard Vague Richard is the co-founder, Chairman and CEO of Energy Plus, an electricity and natural gas supply company headquartered in Philadelphia and operating in states throughout the U.S. He was previously co-founder of two credit card companies – First USA, which grew to be the largest Visa issuer in the industry and which was sold to Bank One in 1997, and Juniper Financial, the fastest growing credit card issuer of the past decade, which was sold to Barclays PLC in 2004. He is also managing partner of Gabriel Investments, and early stage investment fund.   Richard currently serves on the corporate boards of Heartland Payment Systems of Princeton, New Jersey, Think Direct Marketing of Tampa, Florida and GoodCents Corporation of Atlanta, Georgia. He is president of the Philadelphia Live Arts and Fringe Festival, and on the boards of the University of Pennsylvania Press, the Franklin Institute, the Dean’s Advisory Council of NYU’s Tisch School of the Arts, the U.S. State Department’s Advisory Committee on International Economic Policy and the U.S. Department of Energy’s Electricity Advisory Committee. He is also co-founder of the Afghanistan Study Group, and is also editor of the blog and email newsletter service Delanceyplace.com. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416439638-POKZ536T0XIN1ZVT4NTG/Screen+Shot+2014-10-09+at+1.20.28+PM.png Advisory Board - Richard Vague Richard is the co-founder, Chairman and CEO of Energy Plus, an electricity and natural gas supply company headquartered in Philadelphia and operating in states throughout the U.S. He was previously co-founder of two credit card companies – First USA, which grew to be the largest Visa issuer in the industry and which was sold to Bank One in 1997, and Juniper Financial, the fastest growing credit card issuer of the past decade, which was sold to Barclays PLC in 2004. He is also managing partner of Gabriel Investments, and early stage investment fund. Richard currently serves on the corporate boards of Heartland Payment Systems of Princeton, New Jersey, Think Direct Marketing of Tampa, Florida and GoodCents Corporation of Atlanta, Georgia. He is president of the Philadelphia Live Arts and Fringe Festival, and on the boards of the University of Pennsylvania Press, the Franklin Institute, the Dean’s Advisory Council of NYU’s Tisch School of the Arts, the U.S. State Department’s Advisory Committee on International Economic Policy and the U.S. Department of Energy’s Electricity Advisory Committee. He is also co-founder of the Afghanistan Study Group, and is also editor of the blog and email newsletter service Delanceyplace.com. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416439638-POKZ536T0XIN1ZVT4NTG/Screen+Shot+2014-10-09+at+1.20.28+PM.png Advisory Board - Richard Vague Richard is the co-founder, Chairman and CEO of Energy Plus, an electricity and natural gas supply company headquartered in Philadelphia and operating in states throughout the U.S. He was previously co-founder of two credit card companies – First USA, which grew to be the largest Visa issuer in the industry and which was sold to Bank One in 1997, and Juniper Financial, the fastest growing credit card issuer of the past decade, which was sold to Barclays PLC in 2004. He is also managing partner of Gabriel Investments, and early stage investment fund. Richard currently serves on the corporate boards of Heartland Payment Systems of Princeton, New Jersey, Think Direct Marketing of Tampa, Florida and GoodCents Corporation of Atlanta, Georgia. He is president of the Philadelphia Live Arts and Fringe Festival, and on the boards of the University of Pennsylvania Press, the Franklin Institute, the Dean’s Advisory Council of NYU’s Tisch School of the Arts, the U.S. State Department’s Advisory Committee on International Economic Policy and the U.S. Department of Energy’s Electricity Advisory Committee. He is also co-founder of the Afghanistan Study Group, and is also editor of the blog and email newsletter service Delanceyplace.com. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416407486-ST80GAZWMCDV12FIGCTR/Screen+Shot+2014-10-15+at+9.54.34+AM.png Advisory Board - John Tintori John Tintori has edited over a dozen feature length films, including EIGHT MEN OUT directed by John Sayles’ TRUE LOVE’ and DOGFIGHT, directed by Nancy Savoca, and MISTER WONDERFUL, directed by Anthony Minghella. In addition to his feature credits, John has edited numerous TV commercials, music videos, and short films, including TREVOR, which won the Oscar for Best Dramatic Short Film in 1995. He co-directed, with Mary Cybulski, HELLCAB, an independent feature film starring John Cusack, Julianne Moore, John C. Reilly, and Michael Shannon. John is a member of the Director's Guild of America, the Writer's Guild of America, and the IATSE. He has been a member of the Tisch/Kanbar faculty since 1997. John served as Chair of the Graduate Film Program at NYU from 2005 to 2014, and was Chair of the Graduate Film Program at TischAsia in Singapore during its inaugural year. Joining forces with his colleagues in the Stern School of Business, John and Professor Sam Craig created the Dual MBA/MFA Degree in Producing, which accepted its first class in September 2008. John currently serves as the Director of the NYU Cinema Research Institute. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416532431-T95XA5YRXN8C473MTJW1/unnamed1.jpg Advisory Board - Colin Brown Based in Brooklyn, Colin is a film industry analyst involved in several separate ventures designed to transform how cinema conducts its global business. As Editorial Director for Slated, the private online marketplace for film investing and industry introductions, Colin writes the widely circulated “Filmonomics” blog and has hosted monthly film investor discussion forums in both New York and Los Angeles. As a Faculty Committee member of New York University’s Cinema Research Institute, Colin helps award annual fellowships to new models of financing, producing, marketing and distributing media and entertainment. He also incubates some of those disruptive ideas as part of "The Future of Film" class he teaches to graduate students of NYU Tisch. A longstanding consultant for the Dubai International Film Festival, Colin recently became a Managing Partner in MAD Solutions, the innovative pan-Arab distribution outfit that is building the first independent film studio to serve the entire Arab-speaking region. Prior to joining Slated, Colin was an award-winning editor and journalist most closely identified with the trade paper “Screen International”, where he worked for more than two decades. As a film critic, he has served on numerous film festival juries including that of the Sundance Film Festival - where he helped judge the World Cinema Dramatic Competition in 2009. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413925612995-NX343NDQ37JFQBM3LJF9/1398868319982.jpg Advisory Board - Allyson Green Allyson GreenDean, Tisch School of the Arts Dean Allyson Green is a choreographer, visual artist, curator and arts educator. Integrating artistic creative development and education, advocacy for the arts, and service to the local and international community has been the mission of her multi-faceted career. Her creative research has been particularly influenced by two decades of residencies in East and Central Europe, South America, and Mexico;community projects for arts engagement; and ongoing site-specific collaborations with visual artist Peter Terezakis that explores the intersection of art and technology, and environmental issues. Dean Green is a full professor in the Department of Art and Public Policy with an affiliation in the Department of Dance, and she will continue to teach in both areas. From 2012 to 2014, she was the Associate Dean of the Tisch School of the Arts Institute of Performing Arts (IPA), overseeing all of the performing arts departments, as well as Art and Public Policy and Tisch Open Arts. She was the Tisch Global Dean leading the integration of Tisch programs and new curriculum initiatives into NYU’s global network. She also served on the University Space Priorities Working Group. In 2003, Dean Green earned the rank of professor at the University of California, San Diego, and served as the Chair of the Department of Theatre and Dance in partnership with the La Jolla Playhouse. Additionally, she served as the Artistic Director of Sushi Performance and Visual Art Center. She was named one of the outstanding arts leaders in San Diego for her direction of national and international festivals, with programming in dance, visual art, music, performance art, spoken word and theater. Based in NYC from 1986 to 2001, Dean Green established a distinguished career as a noted performer in many companies, as a choreographer, and as a graphic designer. Since 1993, she has created over 100 dance theater works that have been presented in 18 countries and throughout the United States. Her bibliography reflects an extensive body of commissioned national and international works in majovenues, universities, companies, and festivals, which have achieved consistent critical acclaim and funding from the top foundations. In addition to her work in the performing arts, Dean Green maintained a visual arts career as a painter and an award-winning graphic designer for numerous arts organizations and PBS television. She was the creative director of Allyson Green Design, which received awards including Emmys for her design work in print, television, and dance film. She also has extensive training in music, and creates original sound scores, set, costume, and projection designs for her dance theater works. Dean Green received a B.F.A. cum laude in Visual Art from Washington University in St. Louis, Missouri, and her M.F.A. in Choreography as a Jacob Javit’s Fellow from the University of Wisconsin at Milwaukee, where she was named the Fine Arts Graduate student of the decade. Dean Green is a full professor in the Tisch School of the Arts Department of Art and Public Policy, with an affiliation in the Department of Dance, and will continue to teach in both areas. From 2012 to 2014, she was the Associate Dean of the Tisch School of the Arts Institute of Performing Arts (IPA) and oversaw all of the performing arts departments, as well as Art and Public Policy and Tisch Open Arts. She began shaping the vision for the IPA with new programming ideas for cross-department collaborations and artists-in-residence, and continued Dean Mary Schmidt Campbell’s decade-long plans for a new performing arts center. She served as the Tisch Global Dean for Curriculum, and led the integration of Tisch study abroad programs into NYU’s global network. Dean Green, in collaboration with the departments, developed new curriculum initiatives that allow Tisch students to study within NYU’s global locations. She also served on the university-wide Space Priorities Working Group and the Distinguished Teaching Award committee. Previously, Dean Green served as the Chair of the Department of Theatre and Dance at the University of California, San Diego, in partnership with the La Jolla Playhouse. She earned the rank of Full Professor in Dance at UCSD in 2003. Previously, she was an Assistant Professor of Dance at San Diego State University from 2001 to 2003. She has developed B.A., B.F.A., M.A., M.F.A. and Ph.D. curriculum that included the launch of a new graduate program in dance theater, as well as new courses for the study of aesthetics and criticism, arts citizenship, arts management and entrepreneurship, art and technology, collective creation, and somatic arts workshops with medical leaders, neuroscientists, and community organizers. Additionally, she served as the Artistic Director of Sushi Performance and Visual Art, a contemporary interdisciplinary arts center in San Diego from 2003 to 2005. She was named one of the outstanding arts leaders in San Diego for her work in the direction of national and international festivals, with programming in dance, visual art, music, performance art, spoken word and theater; and for developing cross-cultural arts events in the San Diego/Tijuana border region. Recent projects included the creation of the Cal-Laboratory Kitchen for international artists, the Arts in Action Festival, and the Wonderland International Dance Festival with Martin Wolleson, UCSD ArtPower!. Based in NYC from 1986 to 2001, Dean Green established a distinguished career as a performer, choreographer, and graphic designer. She was a noted performer in the companies of Yoshiko Chuma SOHK, Charles Moulton, Doug Varone, Randy Warshaw, and Bill Young, as well as with numerous independent choreographers. A frequent international collaborator, she created projects with choreographers José Navas and Dominique Porte (Montreal, Canada); Meg Stuart (Brussels, Belgium); Ben Wright (London, Great Britain); Iskra Sukarova (Skopje, Macedonia); Cosmin Manolescu (Burcharest, Romania); Olga Zitluhina (Riga, Latvia); and Lux Boreal Contemporanea Danza (Tijuana, Mexico). As a choreographer, she has created over 100 dance theatre works that have been presented in 18 countries and throughout the United States since 1993. Her bibliography reflects an extensive body of commissioned national and international works in major venues, universities, companies, and festivals, which have achieved consistent critical acclaim and funding from the top foundations. Her company, Allyson Green Dance, has been supported by the Joyce Mertz Gilmore Foundation, the Jerome Foundation, The Fund for U.S. Artists at International Festivals, the U.S. Department of State, The National Endowment for the Arts, the Pew Charitable Trusts, CEC ArtsLink, and 10 fellowships from The Suitcase Fund, with major funding from The Trust for Mutual Understanding and the Rockefeller Foundation. In addition to her work in the performing arts, Dean Green maintained a visual arts career as a painter and an award-winning graphic designer for numerous arts organizations and PBS television. She was the creative director of Allyson Green Design from 1983 to 2001, which received awards including Emmys for her design work in print, television, and dance film. Dean Green also has extensive training in music, and creates original sound scores, set, costume and projection designs for her dance theater works. In her creative projects, she regularly collaborates with composers, most notably Alan Stones, Paul Dresher, Guy Yarden, and Mio Morales. Dean Green received a B.F.A. cum laude in Visual Art from Washington University in St. Louis, Missouri. She was awarded the Jacob K. Javits Fellowship for graduate studies by the National Department of Education and received her M.F.A. in Choreography from the University of Wisconsin at Milwaukee, where she was named the Fine Arts Graduate student of the decade. http://www.cri.nyu.edu/faculty-committee daily 0.75 2015-02-02 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416805806-87V0LBOOF3F56WP22JDY/unnamed.jpg Faculty Committee - John Tintori, CRI Director John Tintori has edited over a dozen feature length films, including EIGHT MEN OUT directed by John Sayles’ TRUE LOVE’ and DOGFIGHT, directed by Nancy Savoca, and MISTER WONDERFUL, directed by Anthony Minghella. In addition to his feature credits, John has edited numerous TV commercials, music videos, and short films, including TREVOR, which won the Oscar for Best Dramatic Short Film in 1995. He co-directed, with Mary Cybulski, HELLCAB, an independent feature film starring John Cusack, Julianne Moore, John C. Reilly, and Michael Shannon. John is a member of the Director's Guild of America, the Writer's Guild of America, and the IATSE. He has been a member of the Tisch/Kanbar faculty since 1997. John served as Chair of the Graduate Film Program at NYU from 2005 to 2014, and was Chair of the Graduate Film Program at TischAsia in Singapore during its inaugural year. Joining forces with his colleagues in the Stern School of Business, John and Professor Sam Craig created the Dual MBA/MFA Degree in Producing, which accepted its first class in September 2008. John currently serves as the Director of the NYU Cinema Research Institute. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416805806-87V0LBOOF3F56WP22JDY/unnamed.jpg Faculty Committee - John Tintori, CRI Director John Tintori has edited over a dozen feature length films, including EIGHT MEN OUT directed by John Sayles’ TRUE LOVE’ and DOGFIGHT, directed by Nancy Savoca, and MISTER WONDERFUL, directed by Anthony Minghella. In addition to his feature credits, John has edited numerous TV commercials, music videos, and short films, including TREVOR, which won the Oscar for Best Dramatic Short Film in 1995. He co-directed, with Mary Cybulski, HELLCAB, an independent feature film starring John Cusack, Julianne Moore, John C. Reilly, and Michael Shannon. John is a member of the Director's Guild of America, the Writer's Guild of America, and the IATSE. He has been a member of the Tisch/Kanbar faculty since 1997. John served as Chair of the Graduate Film Program at NYU from 2005 to 2014, and was Chair of the Graduate Film Program at TischAsia in Singapore during its inaugural year. Joining forces with his colleagues in the Stern School of Business, John and Professor Sam Craig created the Dual MBA/MFA Degree in Producing, which accepted its first class in September 2008. John currently serves as the Director of the NYU Cinema Research Institute. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416880746-3ANDIB1UP0044RPTQMAQ/gailunnamed.jpg Faculty Committee - Gail Segal Gail Segal is a writer, filmmaker and teacher. Her most recent film work includes Filigrane, a narrative short set in the Empty Quarter of the U.A.E, and a documentary, Meanwhile in Turkey about the agency of women artisans in Turkey. She is currently developing a narrative feature based on her original screenplay, Lila Rose, about a family in the farm country of Southwest Georgia. She is an Associate Arts Professor in the Graduate Division of Film at NYU’s Tisch School of the Arts. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413416908302-2EH6OXBGVT2BO93IZDQX/unnamed1.jpg Faculty Committee - Colin Brown Based in Brooklyn, Colin is a film industry analyst involved in several separate ventures designed to transform how cinema conducts its global business. As Editorial Director for Slated, the private online marketplace for film investing and industry introductions, Colin writes the widely circulated “Filmonomics” blog and has hosted monthly film investor discussion forums in both New York and Los Angeles. As a Faculty Committee member of New York University’s Cinema Research Institute, Colin helps award annual fellowships to new models of financing, producing, marketing and distributing media and entertainment. He also incubates some of those disruptive ideas as part of "The Future of Film" class he teaches to graduate students of NYU Tisch. A longstanding consultant for the Dubai International Film Festival, Colin recently became a Managing Partner in MAD Solutions, the innovative pan-Arab distribution outfit that is building the first independent film studio to serve the entire Arab-speaking region. Prior to joining Slated, Colin was an award-winning editor and journalist most closely identified with the trade paper “Screen International”, where he worked for more than two decades. As a film critic, he has served on numerous film festival juries including that of the Sundance Film Festival - where he helped judge the World Cinema Dramatic Competition in 2009. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413417033567-38YTOYEU8UEZ7GCKA09Y/1268915_10202414429028441_1657478423_o.jpg Faculty Committee - Peggy Rajski   Peggy Rajski is an Academy Award-winning filmmaker who’s produced over a dozen feature films, directed an Oscar winning short, and garnered more than 40 major award nominations along the way. Peggy began her feature film producing career with writer/director John Sayles, and produced three pictures with him: the cult classic THE BROTHER FROM ANOTHER PLANET and the highly lauded historical dramas MATEWAN and EIGHT MEN OUT. She went on to work with Martin Scorcese and director Stephen Frears on THE GRIFTERS, nominated for four Academy Awards and winner of the Independent Spirit Award for Best Feature.   She produced Jodie Foster’s directorial debut LITTLE MAN TATE and her second film, HOME FOR THE HOLIDAYS starring Holly Hunter, Anne Bancroft and Robert Downey Jr. Other features include writer/director Alan Ball’s TOWELHEAD, the film adaptation of BEE SEASON with Richard Gere and Juliette Binoche, USED PEOPLE starring film legends Shirley Maclaine and Marcello Mastroianni, and the indie comedy GRASSROOTS.   Working in documentary as well as feature films, Peggy won the Producers Guild of America ‘Producers Challenge’ Award for Best Documentary on ONE BRIDGE TO THE NEXT and recently produced writer/director Bob Balaban’s segment for Morgan Spurlock’s WE THE ECONOMY series funded by Paul Allen.   Her directorial debut TREVOR, a poignant comedy about a Diana-Ross-and-musical-theater-obsessed 13 year old boy whose world is turned upside down when word spreads at school that he’s gay, won the 1994 Academy Award for Best Live Action Short. TREVOR led to the creation of The Trevor Project, a pioneering nonprofit organization she founded that is the country’s leading provider of life-saving services for l/g/b/t/q youth. TREVOR is currently being adapted for the stage, and in 2014, the Academy’s Short Film and Animation Branch recognized her as a Live Action Icon.   Other directorial outings include the television series ER and the second-unit photography on several of the feature films she produced.   A longstanding member of the AMPAS Producers Branch, Peggy has served on the Academy’s Institutional and Scholar Grants Committee, the ‘Best Short Film’ nominating committee and the invitation-only ‘Best Foreign Film’ Shortlist Selection Committee. She also serves as a judge for the Academy’s Nicholls Fellowship Screenwriting Awards, the premiere competition for emerging screenwriting talent.   Peggy taught numerous workshops on producing for Sundance. AFI and the Motion Picture Association. She served on the Board of Directors for IFP/West for a decade, and currently serves on the Board of Directors for the Trevor Project. She received the Muse Award for Outstanding Vision and Achievement in Film from NY Women in Film and TV, and received the Distinguished Alumnus Award from the University of Wisconsin in 2014.   Peggy currently resides in New York City and is happily married to Paul Colin.   Contact: pr@peggyrajskiprods.com   https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413417091254-0X4P12Q06FZOHA3QAODD/11309_4888536884030_518002787_n.jpg Faculty Committee - Carol Dysinger Carol Dysinger recently completed a feature length documentary "Camp Victory, Afghanistan". It premiered in competition at South By South West 2010, played at the Museum of Modern Art Doc Fortnight and the Human Rights Watch Film Festival. Funded by Sundance Doc Fund and Corporation for Public Broadcasting, it will be on Public Television in the late summer and fall. Prior to directing docs, Prof. Dysinger edited many documentaries and features, including "DEADLINE" for Big Mouth Productions (Sundance, and NBC), RAIN for Lola Films, M.Scorsese Executive Producer (Sundance, Venice International) SANTITOS for Springall Pix, John Sayles Exec (Sundance, Guadalajara, San Sebastian) and PUNK (Warners) which was a finalist for a national Emmy. As a screenwriter in Los Angeles she co-wrote several scripts for Paramount, Twentieth Century Fox and Sam Goldwyn Productions, and A CHRISTMAS STAR with Fred Gwyn and Ed Asner for Disney. She wrote several independent features BURNTOWN for HBO Independent, and FAT GIRLS FROM HELL for Sheila Mclaughlin. Her short films screened widely and won many awards, including the Student Academy Award for Best Dramatic, the Hugo Award, and various others national and international. She is the recipient of the David Payne Carter award for excellence in teaching. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413417237978-6QJRC0QXG3I7938XF8IR/Wo1KHM__.JPG Faculty Committee - Peter Newman In a 30 year career, Peter Newman has produced over thirty films. They include Wayne Wang’s SMOKE and BLUE IN THE FACE, John Sayles’ THE SECRET OF ROAN INISH, Spalding Gray’s SWIMMING TO CAMBODIA; and Nancy Savoca’s DOGFIGHT and HOUSEHOLD SAINTS. Peter Newman Productions have received a total of 21 nominations for the Spirit Awards-the leading honor in American Independent Film. His films have played in competition at the Berlin, Cannes, Sundance, Toronto, Telluride, and Venice Film Festivals, where they have won numerous awards. In 2005, he produced Noah Baumbach’s THE SQUID AND THE WHALE, which won the Best Writing and Directing Awards at that year’s Sundance Film Festival. THE SQUID AND THE WHALE which stars Jeff Daniels and Laura Linney, was a co- production with Wes Anderson’s American Empirical Pictures. It was nominated for six Spirit Awards, including Best Picture; three Golden Globes, including Best Film - Musical or Comedy; and received an Academy Award nomination for Best Original Screenplay. Among the other filmmakers that Mr. Newman has collaborated with, are Robert Altman, Jay Presson Allen, David Anspaugh, Paul Auster, Jonathan Demme, and two-time Academy Award winning screenwriter Horton Foote. Mr. Newman has been a featured speaker at the Sundance Institute’s Producers Conference in 1991 and 2005; as well as appearing on numerous film festival panels, including Cannes and New York. Additionally, he has lectured on the movie business at Harvard Business School, Yale, Columbia, and New York University. He joined New York University as an adjunct professor in the Graduate Film program at Tisch, and the Graduate MBA program at Stern. In August of 2008, Peter Newman was appointed the Head of the joint MFA/MBA Dual Degree Graduate program at NYU. It is the first program of its kind in the nation. Mr. Newman is a member of the ACADEMY OF MOTION PICTURE ARTS AND SCIENCES, the PRODUCER’S GUILD OF AMERICA, as well as the BRITISH ACADEMY OF TELEVISION AND VIDEO ARTS. He is currently preparing a film based on the life of Janis Joplin. Newman is a graduate of Northwestern University, and lives in New York with his wife, Antonia Dauphin, and three children. http://www.cri.nyu.edu/partners-consultants daily 0.75 2014-11-25 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413411760327-A6U9R9E1050S34MYP5YI/yancey-strickler.jpg Partners + Consultants - Yancey Strickler - Co-Founder, Kickstarter Yancey Strickler is Co-Founder of Kickstarter, the largest funding platform for creative projects in the world. His writing has appeared in New York Magazine, Pitchfork, Spin, and the Village Voice, among other publications. He lives in New York City and has personally backed more than 500 Kickstarter projects. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413411760327-A6U9R9E1050S34MYP5YI/yancey-strickler.jpg Partners + Consultants - Yancey Strickler - Co-Founder, Kickstarter Yancey Strickler is Co-Founder of Kickstarter, the largest funding platform for creative projects in the world. His writing has appeared in New York Magazine, Pitchfork, Spin, and the Village Voice, among other publications. He lives in New York City and has personally backed more than 500 Kickstarter projects. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413411905755-447K0I5XQZIQJH1N65KT/ted-hope.jpg Partners + Consultants - Ted Hope, Independent Producer Hope joined Fandor as CEO in February of 2014, bringing with him a wealth of film experience as a creator, curator, advocate and innovator in the film community as well as a vision for how Fandor will grow in the ever-changing digital world of content distribution. Using innovative ways to find and share a greater array of works with the audience that craves them is Fandor's mission and among Hope's strongest passions. Prior to Fandor, Hope was the Executive Director of the San Francisco Film Society where he successfully raised significant new sponsorship funding, expanded the San Francisco International Film Festival's offerings to include the innovative Artist to Entrepreneur (A2E) program and launched their new Fall Awards event. He also introduced new alliances, including a distribution arrangement with Sundance Artist Services and implemented several grants in such areas as documentary, strategic planning, and operations. Hope is an influential figure in the film community with a survey of films numbering over seventy that includes many highlights and breakthroughs of the last two decades. Hope co-founded and ran the 90's production and sales powerhouse Good Machine, which produced notable and Academy Award nominated films such as EAT DRINK MAN WOMAN (1994) and CROUCHING TIGER, HIDDEN DRAGON (2000). After he and his partners sold the company in 2002, Hope went on to co-found the New York production company This is that, which over its eight years produced eighteen features and received numerous awards, including four Academy Award Best Screenplay nominations. Subsequently, he founded Double Hope Films with his wife, filmmaker Vanessa Hope, and looks forward to premiering Vanessa's feature directorial debut ALL EYES AND EARS at festivals this fall. Hope's films have received some of the industry's most prestigious honors: THE SAVAGES (2007) earned two Academy Award nominations; 21 GRAMS (2003), two Academy Award nominations and five BAFTA nominations; and IN THE BEDROOM (2001), five Academy Award nominations. Ted holds a record at Sundance: three of his twenty-three Sundance entries (AMERICAN SPLENDOR (2003), THE BROTHERS MCMULLEN (1995), and WHAT HAPPENED WAS . . . (1994)) have won the Grand Jury Prize, more than any other producer. Two of his films, AMERICAN SPLENDOR (2003), and HAPPINESS (1998) have won the Critics Prize at the Cannes International Film Festival. Hope's first book HOPE FOR FILM, a film memoir with insights from his directors and productions, comes out late Summer 2014 from Counterpunch Press. Hope posts regularly on his HopeForFilm blog, home of Truly Free Film, which Variety has called a "fantastic resource." He also co-founded HammerToNail.com, a film review site focused on Truly Independent Film. Hope is recognized, by The Hollywood Reporter and other publications, as one of the most influential and powerful people in Independent Film. He has received numerous awards and honors including the Vision Award from the LA Filmmakers' Alliance and the Woodstock Film Festival's Honorary Trailblazer Award. He lectures throughout the world (most recently as the Keynote Speaker at both the FEMA's Directors Conference in London and at the Binger FilmLab Digital Summit in Amsterdam) and participates on many film juries, (including Sundance, SXSW, and Karlovy Vary). Hope serves on the advisory boards of the Adrienne Shelly Foundation, The Film Collaborative, Power to the Pixel, SXSW Film, and the Woodstock Film Festival. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413412050050-A5I8U2AI2UDZO7FMOE7A/clay-shirky.jpg Partners + Consultants - Clay Shirky Currently focusing on social software and peer-to-peer technologies, and the ways electronic networks shape the social lives of the groups that form there, and vice-versa. Clay writes extensively about the Internet, and his writings have appeared in the IEEE Computer magazine, FEED, the New York Times, the Wall Street Journal, the Harvard Business Review, and Business 2.0, among others. He also works as a consultant, and his current and former clients include Nokia, Barnes and Noble, the Markle Foundation, the BBC, and the Library of Congress. He publishes a monthly newsletter called "Networks, Economics, and Culture", and his essays are being collected into a book, to be published by O'Reilly and Associates. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413407509161-DVH4MD2N8CHOYIESS149/Joana-Vicente.jpg Partners + Consultants - Joana Vicente Joana Vicente is the Executive Director of the Independent Filmmaker Project and the Made in NY Media Center by IFP. IFP is the oldest and largest nonprofit organization for independent filmmakers in the U.S. Through its year-round programming, IFP guides filmmakers in the art, technology and business of independent filmmaking. In addition to its workshops, seminars, conferences, mentorships, and Filmmaker Magazine, IFP’s programs include Independent Film Week, Envision, The Cross-Media Forum, The Gotham Independent Film Awards and the Independent Filmmaker Labs. Vicente is an Academy Award-nominated producer of over 40 feature films by such acclaimed directors as Jim Jarmusch, Brian De Palma, Steven Soderbergh, Miguel Arteta, Hal Hartley, Nicole Holofcener, Alex Gibney, and Todd Solondz. Throughout her career, she has produced innovative works by first-time filmmakers while championing the distinctive visions of established directors, ranging from auteur-driven projects to successful commercial box-office hits as well as award-winning theatrical documentaries. Vicente's films have been selected to and won awards at the Sundance Film Festival, the Berlin International Film Festival, The Cannes International Film Festival, and the Venice International Film festival, including two Sundance Grand Jury Prizes and Venice's Silver Lion for Best Director. Her films have also been nominated for over 25 Independent Spirit awards. Joana is also recognized as a leading figure of the digital film revolution. Her pioneering digital production companies Blow Up Pictures and HDNetFilms, which she launched with partners Jason Kliot, Marc Cuban, and Todd Wagner, ushered in a new era of digital filmmaking which radically transformed the landscape of American independent film production and distribution. Before turning her attention to film, Vicente served as a press attaché for the Portuguese delegate to the European Parliament and a radio news producer for the United Nations.   https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413412142246-DQ6FML7I5W4PCCXAA8V1/james-schamus.jpg Partners + Consultants - James Schamus James Schamus is an American award-winning screenwriter, co-founder of Good Machine production company, and the CEO of Focus Features until its merging with FilmDistrict, the motion picture production, financing, and worldwide distribution company. His output includes as screenwriter The Ice Storm, Eat, Drink, Man, Woman and Crouching Tiger, Hidden Dragon (all directed by Ang Lee), and as producer Brokeback Mountain, Lost in Translation, Milk, Eternal Sunshine of the Spotless Mind, The Pianist, Coraline, The Kids Are All Right, and the upcoming The Moon and the Sun. He is Professor of Professional Practice in Columbia University’s School of the Arts, where he teaches film history and theory. He has also taught at Yale University and at Rutgers University. He is the author of Carl Theodor Dreyer's Gertrud: The Moving Word, published by the University of Washington Press. He earned his BA, MA, and Ph.D. in English from University of California, Berkeley. Schamus participates as a member of the Jury for the NYICFF, a local New York City Film Festival dedicated to screening films for children between the ages of 3 and 18. He was president of the jury for the 64th Berlin International Film Festival. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413412366679-RZTGWAO3QBEETV5ZH7QG/ScottMacaulay.jpg Partners + Consultants - Scott Macaulay Co-founder and Editor-in-Chief of Filmmaker Magazine, a quarterly print magazine and daily updated website, as well as an active film producer and partner in the New York production company, Forensic Films. Skilled at short and long-form editorial, editorial team building, film production, web video production, post-production, branded content, social media marketing and community development. Particularly skilled at identifying and developing new talent and knowledgeable about the technological and business trends reshaping the media industries. Forensic Films is a New York-based independent film production company active since 1995. With his partner Robin O'Hara, Macaulay has produced, executive produced and co-produced a number of award-winning and theatrically distributed films. In addition to his work at Filmmaker, Macaulay founded for the Independent Filmmaker Project, its publisher, the IFP Narrative Lab, an intensive mentorship program for filmmakers in post-production with their debut features. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413412483361-W24YFML4SC1NPY6S87S8/ChristineVachon2.jpg Partners + Consultants - Christine Vachon Christine Vachon is an American film producer active in the American independent film sector and daughter of Françoise Fourestier and noted photographer John Vachon. Christine Vachon produced Todd Haynes' first feature, Poison, which was awarded the Grand Jury Prize at the 1991 Sundance Film Festival. Since then, she has gone on to produce many acclaimed American independent films, including Far From Heaven (nominated for four Academy Awards), Boys Don't Cry (Academy Award winner), One Hour Photo, Hedwig and the Angry Inch, Happiness, Velvet Goldmine, SAFE, I Shot Andy Warhol, Go Fish, Swoon, I'm Not There, Gigantic, Cracks. and Cairo Time. Her latest and upcoming projects include a short film collaboration with ACE Hotel and online film content producers Massify entitled "Lulu at the Ace Hotel" as well as a five-part HBO mini-series adaptation of James M. Cain's 1941 novel, Mildred Pierce. Vachon also participates as a member of the Jury for the NYICFF, a paramount New York City Film Festival dedicated to screening films for children between the ages of 3 and 18. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413412647388-PVTXWLD6PLIAJBRQPIFY/jaron-lanier.jpg Partners + Consultants - Jaron Lanier Jaron Lanier is a computer scientist, author, and composer. As a writer: Lanier is one of most celebrated technology writers in the world, and is known for charting a humanistic approach to technology appreciation and criticism. He was awarded the Peace Prize of the German Book Trade in 2014. His book "Who Owns the Future?" won Harvard's Goldsmith Book Prize in 2014. His books are international best sellers. "Who Owns the Future?" was named the most important book of 2013 by Joe Nocera in The New York Times, and was also included in many other "best of" lists. "You Are Not a Gadget," released in 2010, was named one of the 10 best books of the year by Michiko Kakutani, and was also named on many "best of year" lists. He writes and speaks on numerous topics, including high-technology business, the social impact of technological practices, the philosophy of consciousness and information, Internet politics, and the future of humanism. In recent years he has been named one of the 100 most influential people in the world by Time Magazine, one of the 100 top public intellectuals by Foreign Policy Magazine, and one of the top 50 World Thinkers by Prospect Magazine. His writing has appeared in The New York Times, Discover (where he has been a columnist), The Wall Street Journal, Forbes, Harpers Magazine, Nature, The Sciences, Wired Magazine (where he was a founding contributing editor), and Scientific American. He has edited special "future" issues of SPIN and Civilization magazines. As a technologist: Lanier's name is often associated with Virtual Reality research. He either coined or popularized the term 'Virtual Reality' and in the early 1980s founded VPL Research, the first company to sell VR products. In the late 1980s he led the team that developed the first implementations of multi-person virtual worlds using head mounted displays, as well as the first "avatars," or representations of users within such systems. While at VPL, he and his colleagues developed the first implementations of virtual reality applications in surgical simulation, vehicle interior prototyping, virtual sets for television production, and assorted other areas. He led the team that developed the first widely used software platform architecture for immersive virtual reality applications. Lanier has received honorary doctorates from the New Jersey Institute of Technology and Franklin and Marshall College, was the recipient of CMU's Watson award in 2001, was a finalist for the first Edge of Computation Award in 2005, and received a Lifetime Career Award from the IEEE in 2009 for contributions to Virtual Reality. Lanier has been a founder or principal of four startups that were either directly or indirectly acquired by Oracle, Adobe, Google, and Pfizer. From 1997 to 2001, Lanier was the Chief Scientist of Advanced Network and Services, which contained the Engineering Office of Internet2, and served as the Lead Scientist of the National Tele-immersion Initiative, a coalition of research universities studying advanced applications for Internet2. The Initiative demonstrated the first prototypes of tele-immersion in 2000. From 2001 to 2004 he was Visiting Scientist at Silicon Graphics Inc., where he developed solutions to core problems in telepresence and tele-immersion. He was Scholar at Large for Microsoft from 2006 to 2009, and Interdisciplinary Scientist at Microsoft Research from 2009 forward. In the sciences: Jaron Lanier's scientific interests include the use of Virtual Reality as a research tool in cognitive science, biomimetic information architectures, experimental user interfaces, heterogeneous scientific simulations, advanced information systems for medicine, and computational approaches to the fundamentals of physics. He collaborates with a wide range of scientists in fields related to these interests. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413412734294-9HFPYQACYF4G96L3JA2M/220px-Paula_Wagner.jpg Partners + Consultants - Paula Wagner Paula Wagner currently helms Chestnut Ridge Productions, developing and producing film, television, theater, and new media projects. Wagner has worked in the top ranks of the entertainment industry as a talent agent, producer, and top studio executive. She began her career at Creative Artists Agency where she spent 15 years representing some of Hollywood's top actors, directors, and writers. In 1993, she moved on to producing and launched Cruise/Wagner Productions with her former CAA client Tom Cruise. For more than a decade, C/W produced countless critically-acclaimed films, including the Mission: Impossible franchise, Without Limits, Shattered Glass, Narc, The Others, Vanilla Sky, Elizabethtown, The Last Samurai, and Ask The Dust, and Steven Spielberg’s War Of The Worlds, which Wagner executive produced. Wagner was co-owner and CEO of United Artists Entertainment, LLC from 2006 to 2008. During her tenure, UA released the Robert Redford political thriller Lions for Lambs and the World War II thriller Valkyrie, directed by Bryan Singer. Prior to her career as an agent and producer, Ms. Wagner began as an actress, performing on and off-Broadway. She was also a member of the Yale Repertory Company. She is a published playwright, co-authoring the play Out Of Our Father’s House. She was a member of Actor’s Equity and Screen Actors Guild and currently, the Academy of Motion Picture Arts and Sciences and the Producers Guild of America. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413412955327-HE25SF3DCJM93WQFHD35/darren-aronofsky.jpg Partners + Consultants - Darren Aronofsky Academy Award nominated director Darren Aronofsky was born and raised in Brooklyn, New York. His most recent film, BLACK SWAN, won Natalie Portman the Academy Award for Best Actress and received four other nominations, including one for Best Picture. The film received scores of other accolades, appeared on over 200 critical Top Ten lists, and swept the 2011 Independent Spirit Award with wins for Best Film, Best Director, Best Actress and Best Cinematography. The film was also a box office phenomenon grossing more than $328M worldwide. Aronofsky is currently at work on NOAH, based on the biblical story of Noah’s ark. The film stars Russell Crowe, Ray Winstone, Jennifer Connelly, Douglas Booth, Logan Lerman, Emma Watson and Anthony Hopkins, and is shooting in Iceland and New York this summer and fall. Prior to BLACK SWAN, Aronofsky directed THE WRESTLER. The film premiered at the Venice Film Festival where it won the esteemed Golden Lion making it only the third American film in history to win this grand prize. One day later it was acquired by Fox Searchlight hours after its gala screening at the Toronto Film Festival. THE WRESTLER won Best Feature at the Independent Spirit Awards and garnered Academy Award nominations for both Mickey Rourke and Marisa Tomei. Golden Globes were given to Mickey for his iconic performance and to Bruce Springsteen for his original track "The Wrestler." Aronofsky also wrote and directed THE FOUNTAIN, a science-fiction romance starring Hugh Jackman and Rachel Weisz. MTV’s Kurt Loder called the film “a classic; dazzling and visually intoxicating” and Glenn Kenny from Premiere stated that THE FOUNTAIN, “may well restore your faith in the idea that a movie can take you out of the mundane and into a place of wonderment.” In 2000, Aronofsky premiered REQUIEM FOR A DREAM at the Cannes Film Festival. The film was named to over 150 Top Ten lists including the New York Times, Rolling Stone, Entertainment Weekly and the American Film Institute. The accolades continued with five Independent Spirit Award nominations, including one for Best Director and a win for Best Actress Ellen Burstyn. Burstyn also received Golden Globe and Academy Award nominations for her unforgettable performance. Aronofsky’s first feature, π, won the Director’s Award at the 1998 Sundance Film Festival and an Independent Spirit Award for Best First Screenplay. Among his honors, the American Film Institute gave Aronofsky the prestigious Franklin J. Schaffner Alumni Medal, the Stockholm Film Festival presented him the Golden Horse Visionary Award, he has won three Independent Spirit Awards, and he was president of the jury at the 68th annual Venice Film Festival in 2011. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413413121253-4GU597FKZJEFFBAW5HJQ/GeoffGilmore.jpg Partners + Consultants - Geoffrey Gilmore Geoffrey Gilmore is the Director of the Tribeca Film Festival and a member of the UCLA Producers Program faculty. Creative Director of Tribeca Enterprises, a New York company that includes the Tribeca Film Festival, the Tribeca Cinemas and the Tribeca Film Festival Doha. He joins Tribeca after serving 19 years as the Director of the Sundance Film Festival, where he was responsible for film selection in all sections of the Festival, as well as managing the Festival and providing overall artistic direction. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413413227389-GNM40G6LCLGJGWMFSM3E/60_Kelly_Mike.jpg Partners + Consultants - Mike Kelly Named by Mediaweek as one of the “50 most influential executives shaping the future of media”, Mike is currently investing in and advising digital media and software companies. His career spans virtually all forms of media and entertainment, most recently as CEO of the Weather Channel Companies. He was also President of AOL Media Networks, President of Marketing at Time Warner, Founder and CEO of Americantowns.com and Publisher of Entertainment Weekly Magazine. He is the Chairman of the Board at Unruly Media and Colspace Software and is a board director of several other high growth companies. Mike was Chairman of the Advertising Hall of Fame, a former member of the Ad Council and is currently a Director of the American Advertising Federation. He is also a founding member of the Kelly Gang LLC (501c3) and serves on the Board of Counselors at the President Carter Center. He has passion for his family, great journalism, politics and classic movies. He splits his time between NYC, Martha’s Vineyard and Atlanta. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413413614551-6RHDZWZ1NB499SXJSQKM/start_lcl.jpg Partners + Consultants - Jan Schütte Jan Schütte was born in Mannheim in 1957. He studied Literature, Philosophy and Art History in Tübingen, Zürich and Hamburg. After working as a photo journalist for various daily newspapers, he became a reporter for regional television current affairs programmes in 1979 before moving into the world of film as a director and producer. Jan Schütte has been making and producing his own films since 1982. His career began with four short documentaries. Dragon Chew, his feature film debut followed in 1987, and had its world premiere at the Venice Film Festival. His films subsequently premiered in Cannes, Venice, Locarno, San Sebastian and Toronto, and have won numerous national and international awards. A retrospective of his work screened at the Harvard Film Archive in spring 2006. After teaching directing at the Filmakademie Baden-Württemberg in Ludwigsburg, in 2001 Jan Schütte established the Masterclass – now known as Atelier Ludwigsburg-Paris – at the Filmakademie Baden-Württemberg and was Programme Director of this highly successful programme in conjunction with Peter Sehr from 2001 to 2010. In 2005/2006 and in 2009/2010 Jan Schütte taught as Visiting Professor at Harvard University in Cambridge/Massachusetts. He spent summer 2008 as Harris Professor at Dartmouth College. In 2002 Jan Schütte was a member of the International Jury at the Cannes Film Festival together with Martin Scorsese, Abbas Kiarostami, Tilda Swinton and Sharon Stone. He has also been a member of the jury at the Sundance Film Festival, as well as in Vladivostok and Hanoi. In 2010 Jan Schütte was appointed as Director of the renowned German Film and Television Academy (DFFB), where he is focusing in particular on invigorating the school’s sound creative traditions to meet the challenges of digital technology, introducing innovative teaching formats and partnerships, and expanding the DFFB’s international and inter-disciplinary profile. Jan Schütte is a member of the Akademie der Künste Berlin Brandenburg and of the European Film Academy. He lives in Berlin with his wife, Christina Szápáry, and four children. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413415087626-Y3B48OKTSK2UK209FGTT/AD+Updated+Photo.jpg Partners + Consultants - Amy Dotson Amy Dotson is the Deputy Director & Head of Programming of IFP and produces independent features and documentaries. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413413733847-M5SFBCTEIBWNJW1EN10B/Belfer-Bio-Pic-blog.png Partners + Consultants - James Belfer James founded Dogfish in 2009 to produce and invest in independent film (in which he made 6 films). He was named by Deadline Hollywood as one of 2012′s 10 Producers to Keep Watching. In 2013 he launched the Dogfish Accelerator program after an inspiring experience working for TechStars in Boulder, Colorado. He’s a Northwestern University graduate and received his MBA from NYU Stern in 2013. He currently is an Adjunct Professor at NYU Tisch School of the Arts where he teaches Strategies For Independent Producing. James aspires to be one of the world’s most renowned hermits. He tends to spend most of his free time in South Williamsburg watching cartoons and googling “best Texas BBQ in NYC.” He also runs a monthly meetup called A Presentation of the Deplorable, Bizarre, and Terrible in which he binge watches 10 films in a row that most of the world has never seen (most of the time for glaringly obvious reasons). As of July 2014 only 3 people have attended. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413413820303-A5P611R0IDCLF4JNI7CE/331_Renen-Schorr.jpg Partners + Consultants - Renen Schorr Renen Schorr is a film director, screenwriter, film producer. In 1989, he became head of Israel’s first independent, national school for film and television. He then founded the Sam Spiegel Film & TV School – Jerusalem, and has served as its director since that time. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413414109443-G8CFSO4U7FTM664NCUTN/jay_van_hoy_lars_knudsen.jpg Partners + Consultants - Jay Van Hoy and Lars Knudsen In 2004, producing partners Lars Knudsen and Jay Van Hoy established Parts & Labor, a production company dedicated to director-driven, collaborative filmmaking. Integral to the company’s vision and consistency is an unwavering dedication to each project, respect for the process, and a true love of film. In October 2008, Parts & Labor signed a first-look/development deal with producer Scott Rudin. That same year, at the Toronto International Film Festival, Variety singled out Messrs. Knudsen and Van Hoy in its annual list of “10 Producers to Watch;” and they were nominated for the [Independent] Spirit Award for producing. In addition, they have been included in Filmmaker Magazine’s annual list of “25 New Faces of Independent Film” and on Paste Magazine's Top 10 list of “Arthouse Powerhouse Producers;” most recently, The New York Observer named Messrs. Knudsen and Van Hoy two of “The Insurgents of 2010: 50 People Shaping the Next New York.” Last year, in addition to Beginners, Parts & Labor premiered Cam Archer's S—t Year, starring Ellen Barkin, in the Directors’ Fortnight at the Cannes International Film Festival; and Aaron Katz’ critically acclaimed third feature, Cold Weather, at South by Southwest. The latter was released theatrically by IFC Films in February 2011. Braden King’s Here, filmed in Armenia and starring Ben Foster and Lubna Azabal, recently had its world premiere in competition at the 2011 Sundance Film Festival and had its international premiere at the 2011 Berlin International Film Festival, where it took home the CICAE Art Cinema Award. Julia Loktev’s The Loneliest Planet, shot last summer in the Republic of Georgia and starring Gael Garcia Bernal and Hani Furstenburg, is currently in post-production. Previous productions include Kelly Reichardt’s acclaimed Old Joy; Cam Archer’s Wild Tigers I Have Known; Steve Collins’ Gretchen; Spencer Parsons’ I’ll Come Running; Nik Fackler’s Lovely, Still; So Yong Kim’s Treeless Mountain; Cruz Angeles’ Don’t Let Me Drown; Bradley Rust Gray’s The Exploding Girl; and David Barker’s Daylight. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413414330349-20YZGVK6JPL4QAS04OVJ/Jeremy-Boxer.jpg Partners + Consultants - Jeremy Boxer At Vimeo, Jeremy co-created the first Vimeo Festival + Awards and he also works on creative strategy across brand partnerships and editorial vision. Jeremy is an award winning creative director and filmmaker. He is based between London and New York. During the past fifteen years Jeremy has worked with Warner Brothers, PlayStation, Babelgum, Cinelan, TED, Tribeca Enterprises, and Arts Alliance to name a few. At RES Media Group he was Director of International Operations and Senior Programmer for the maverick digital festival RESFEST. He became Head of Programming for the final festival in 2006. As a filmmaker his film The Last Supper traveled to over a dozen festivals including Sundance and as a cinematographer he shot over 40 short films. He graduated with honours from New York University’s Tisch School of the Arts. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413414499754-OM8XMS1KUTRF55TWBDZQ/markheyman.jpg Partners + Consultants - Mark Heyman Mark Heyman is a writer and producer, known for Black Swan, The Skeleton Twins and The Wrestler. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413414573025-KTL4SDK0R44OK02M1FM0/lanceweiler.png Partners + Consultants - Lance Weiler Lance Weiler is a storyteller, entrepreneur and thought leader. An alumni of the Sundance Screenwriting Lab, he is recognized as a pioneer because of the way he mixes storytelling and technology. WIRED magazine named him “one of 25 people helping to re-invent entertainment and change the face of Hollywood.” Always interested in experimenting with new ways to tell stories and engage audiences, Lance has designed experiences that have reached millions of people via theaters, mobile devices and online. In recognition of these storytelling innovations, BUSINESSWEEK named Lance “One of the 18 Who Changed Hollywood.” In 2011, Lance was nominated for a International Emmy® in digital fiction for his work on Collapsus: the energy risk conspiracy. Lance sits on two World Economic Forum steering committees; one focused on the Future of Content Creation and the other examines the role of Digital Media in Shaping Culture & Governance. In addition, Lance teaches at Columbia University on the art, craft and business of storytelling in the 21st Century and is currently working on a slate of next gen storytelling projects. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413414629285-JO3LFN8CZZED3FTUEW4H/crowley.jpg Partners + Consultants - Dennis Crowley Dennis Crowley is the co-founder of Foursquare, a service that combines social networks, location awareness and game mechanics to encourage people explore the world around them. Previously, Dennis founded Dodgeball, one of the first mobile social services in the US, which was acquired by Google in 2005. He has been named one of Fortune's "40 Under 40" (2010, 2011), a member of Vanity Fair's "New Establishment" (2011, 2012) and has won the "Fast Money" bonus round on the TV game show Family Feud (2009). He is currently an Adjunct Professor at NYU's Interactive Telecommunications Program (ITP). Dennis holds a Master's degree from New York University's Interactive Telecommunications Program and a Bachelor's degree from the Newhouse School at Syracuse University. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413414705096-XQ06OCI3VQC9D4IOEGMO/th.jpg Partners + Consultants - Frank Lantz Frank Lantz is the Director of the New York University Game Center. For over 12 years, Lantz taught game design at NYU's Interactive Telecommunications Program. He has also taught at the School of Visual Arts and Parsons School of Design. His writings on games, technology, and culture have appeared in a variety of publications. In 2012, The New York Times referred to Lantz as a "reigning genius of the mysteries of games" following his design of iPhone puzzle game Drop7. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413415569884-L9XDPDO2US3EZDG9J4G5/caitlin_boyle2_profile_727_447_c1.jpg Partners + Consultants - Caitlin Boyle A pioneer of grassroots distribution for independent films, Caitlin began her career as a journalist, working on staff at NPR affiliates WFIU and WFUV and at New York’s flagship PBS station, WNET. She graduated summa cum laude from Columbia University in 2003, with a degree in American history, and completed a Master’s in journalism from the Indiana University Graduate School of Journalism in 2005. After founding Film Sprout in 2009, she became a leading voice for the nontraditional distribution of documentary films in community settings, and a champion of films’ power to effect grassroots social change. Her presentations on grassroots film distribution have rallied filmmakers at SXSW, Hot Docs, IFP, Sheffield Doc/Fest, RIDM, Los Angeles Film Festival, the Columbia University Graduate School of Journalism, and The New York Foundation for the Arts, among others. She serves on the board of Brooklyn documentary center UnionDocs, and has participated in the advisory board of NYU’s Cinema Research Institute and the documentary advisory committee of the Paley Center for Media. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413415231844-ROL1T95DB3GRR93AEU33/BobGreenberg_LeadershipPage.jpg Partners + Consultants - Bob Greenberg Bob Greenberg—founder, chairman and CEO of R/GA—has been a pioneer in the advertising and communications industry for nearly four decades. He leads the vision for R/GA, an agency that serves as the digital partner for Fortune 500 companies and world-renowned brands, including Nike, Beats by Dr. Dre, Unilever, L’Oréal, MasterCard, Samsung, Coca-Cola, Ameriprise and Johnson & Johnson. R/GA is one of the world’s most influential agencies, emphasizing the importance of business transformation, product/service innovation and breakthrough communications. The agency has offices in New York, Chicago, Austin, San Francisco, Los Angeles and Portland, and internationally in London, Bucharest, Stockholm, São Paulo, Buenos Aires, Sydney and Singapore. Bob, along with his brother Richard, founded R/Greenberg Associates (R/GA) in 1977 with the idea of creating a company that valued design but also focused on developing leading-edge motion graphics and live-action film and video production. The company created groundbreaking visual effects for movies such as Alien, Predator, Se7en and Zelig. To date, R/GA’s body of work spans 400 feature films and 4,000 television commercials. Bob has evolved the company several times since its founding, transforming it from a world-class movie title shop, to a digital studio, to a major digital advertising agency and today, to an all-in-one full-service agency, product and service innovator and consultancy. Now in its fifth business model, R/GA has become one of the most successful integrated marketing services companies, creating everything from new products and digital services to social and mobile campaigns to broadcast commercials. Bob serves on the boards of numerous schools and organizations, including the Brooklyn Academy of Music, the Ad Council, the Tisch School of the Arts (Dean’s Council Advisory Board), NYU’s Interactive Telecommunications Program, Parsons The New School for Design and the Berlin School of Creative Leadership. He is also a member of The Academy of Motion Picture Arts and Sciences. Bob has won almost every industry award for creativity, including the Academy Award, D&AD, and Cannes Lions. Among his most notable awards are the Honorary Royal Designer for Industry (HonRDI) from the Royal Society for Arts, the 2007 BDA Lifetime Achievement Award, Clio Lifetime Achievement Award in 2006, Cooper-Hewitt National Design Award for Communications in 2003, and the Chrysler Award for Innovation in Design. He was also the Cannes International Advertising Festival Cyber Jury President in 2004 and 2013, served as a member of the 2005 Titanium Jury, and President of the Titanium and Integrated Jury in 2010. Bob was also recently inducted into the Advertising Hall of Fame. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413415413818-I82JD36ZE917A8W3ZXNV/JonReissLongTail.jpg Partners + Consultants - Jon Reiss JON REISS Named one of “10 Digital Directors to Watch” by Daily Variety, Jon Reiss is a critically acclaimed filmmaker whose experience releasing his documentary feature, Bomb It with a hybrid strategy was the inspiration for writing Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era, the first step-by-step guide for filmmakers to distribute and market their films. He recently co-wrote Selling Your Film Without Selling Your Soul. Bomb It 2 for which Reiss extended his exploration of graffiti and street art to the Middle East, South East Asia and Australia just released on iTunes and Amazon on August 6th, 2013. His previous documentary feature films are Better Living Through Circuitry, a startling, humorous and entertaining glimpse into the exploding rave culture and Cleopatra’s Second Husband, a dark psychological drama. Reiss has also directed videos for Nine Inch Nails, The Black Crowes, Danzig, Slayer, and the Kottonmouth Kings. Reiss’ “Happiness in Slavery” video for Nine Inch Nails won awards at the Chicago and San Francisco film festivals and was voted Top Ten by the Village Voice Critics Poll for Best Music Video. Reiss is also a media strategist who helps filmmakers and companies navigate the new distribution and marketing landscape. He has worked with and consulted for IFP, Paramount Studios, the Sundance Institute, Screen Australia, Film Independent, Creative Scotland, The South Australian Film Corporation and numerous film schools and festivals to devise ways to educate and help independent filmmakers in the new economic landscape. He has conducted his TOTBO Master Classes over four continents and is the year-round distribution and marketing lab leader at the IFP Filmmaker Labs and the Director of the IFP PMD Labs he co-created with the IFP. He also teaches at the Film Directing Program at Cal Arts. Jon Reiss’ early credits also include four hour-long documentaries concerning the notorious performance group Survival Research Laboratories which were included on a compilation 10 Years of Robotic Mayhem. Reiss got his start in filmmaking at Target Video, a San Francisco based alternative video company where he covered much of the West Coast punk explosion. Reiss is working on two additional books one on the concept of the Producer of Marketing and Distribution a crew position he coined in Think Outside the Box Office and secondly a book that takes the structure outlined in TOTBO and applies it to all the art forms. Reiss also contributes to Filmmaker Magazine, Huffington Post, Indiewire, Screen Daily, Moviemaker Magazine and other publications and is currently producing a film on Breast Cancer. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1416957546434-SSE62JUIH8BSCCOHO47N/image-asset.jpeg Partners + Consultants - Jeffrey Kusama-Hinte JEFFREY KUSAMA-HINTE is an Academy Award® and Emmy Award® nominated, Golden Globe® winning Producer working under the banner of Antidote Films, the company he founded in 2000. He has also directed two documentaries. Kusama-Hinte's latest production was John Turturro's FADING GIGOLO, starring Mr. Turturro and Woody Allen, Sharon Stone, Sofia Vergara, Live Schrieber, and Vanessa Paradis. Prior to this, he most recently produced Lisa Cholodenko's THE KIDS ARE ALL RIGHT, starring Annette Bening, Julianne Moore, and Mark Ruffalo. The film received four Academy Award® nominations, including Best Picture, and four Golden Globe® nominations, winning two Golden Globes® for Best Actress (Annette Bening) and Best Motion Picture (Musical or Comedy). Kusama-Hinte directed and produced the documentaries CHARLOTTE: A WOODEN BOAT STORY and SOUL POWER which screened at the Toronto and Berlin International Film Festivals, and won the 2009 Los Angeles Film Festival Audience Award. Kusama-Hinte also produced the documentary THE DUNGEON MASTERS, directed by Keven McAlester, which premiered at the 2008 Toronto International Film Festival, and Marina Zenovich’s ROMAN POLANSKI: WANTED AND DESIRED, which received five Primetime Emmy® Awards nominations, winning two Emmys® for Outstanding Writing and Outstanding Directing for Nonfiction Programming. Kusama-Hinte’s other productions include the critically acclaimed eco-horror thriller THE LAST WINTER directed by Larry Fessenden, the Jon Reiss-directed graffiti documentary BOMB IT, Julian Goldberger’s THE HAWK IS DYING, Gregg Araki’s MYSTERIOUS SKIN, Catherine Hardwicke’s THIRTEEN, Lisa Cholodenko’s LAUREL CANYON and HIGH ART, and Larry Fessenden’s WENDIGO. Jeffrey Kusama-Hinte resides in Brooklyn New York, with his spouse and two children. When he is not making films he can usually be found making furniture in his woodworking shop (aka Brooklyn Verkstad); he also serves on the Boards of the Independent Filmmaker Project (IFP) and The Nation Institute. http://www.cri.nyu.edu/vrfilmmaking daily 0.75 2015-12-16 http://www.cri.nyu.edu/vrfilmmaking/virtual-reality-filmmaking-1 monthly 0.5 2015-12-16 http://www.cri.nyu.edu/vrfilmmaking/staging-and-composition-in-360-degrees monthly 0.5 2015-12-03 http://www.cri.nyu.edu/vrfilmmaking/basics-of-operating-a-multi-gopro-360-rig monthly 0.5 2015-11-28 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1448751163520-R1DWJG3CCX8ZECROFI4D/image-asset.png VR Filmmaking - Basics of operating a multi-GoPro 360 rig We are in a folder called "shot 20", each file is clearly marked cameraNumber + Shot http://www.cri.nyu.edu/vrfilmmaking/welcome-splitscreen monthly 0.5 2015-11-28 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447444049050-ZGZVPXDGILOZ4VNK24LL/image-asset.gif VR Filmmaking - Welcome, and an Exploration of Split-Screen 360 Film https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447444107823-Y6Q74L27MH2AAOZ6N7E7/image-asset.gif VR Filmmaking - Welcome, and an Exploration of Split-Screen 360 Film https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447444081597-URDEUG0CDX11X2PO2QOD/image-asset.png VR Filmmaking - Welcome, and an Exploration of Split-Screen 360 Film http://www.cri.nyu.edu/vrfilmmaking/tag/VR monthly 0.5 http://www.cri.nyu.edu/artels-blog daily 0.75 2015-01-14 http://www.cri.nyu.edu/artels-blog/5-things-we-learned-about-media-diversity-in-2014 monthly 0.5 2015-01-14 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1421252228279-RJHWI4OQ30YLVPRGP276/image-asset.jpeg Project Catalyst - 5 Things We Learned About Media Diversity in 2014 http://www.cri.nyu.edu/artels-blog/postid monthly 0.5 2014-10-22 http://www.cri.nyu.edu/artels-blog/category/Multicultural+Dist. monthly 0.5 http://www.cri.nyu.edu/artels-blog/tag/think+tank monthly 0.5 http://www.cri.nyu.edu/artels-blog/tag/Project+Catalyst monthly 0.5 http://www.cri.nyu.edu/artels-blog/tag/Artel+Great monthly 0.5 http://www.cri.nyu.edu/artels-blog/tag/Multicultural+Distribution monthly 0.5 http://www.cri.nyu.edu/claires-blog daily 0.75 2014-10-16 http://www.cri.nyu.edu/claires-blog/postid monthly 0.5 2014-10-16 http://www.cri.nyu.edu/claires-blog/category/Uncategorized monthly 0.5 http://www.cri.nyu.edu/colins-blog daily 0.75 2014-10-16 http://www.cri.nyu.edu/colins-blog/post_id monthly 0.5 2014-10-16 http://www.cri.nyu.edu/edwards-blog daily 0.75 2014-10-16 http://www.cri.nyu.edu/edwards-blog/postid monthly 0.5 2014-10-16 http://www.cri.nyu.edu/edwards-blog/category/Uncategorized monthly 0.5 http://www.cri.nyu.edu/forests-blog daily 0.75 2014-10-21 http://www.cri.nyu.edu/forests-blog/post_id monthly 0.5 2014-10-16 http://www.cri.nyu.edu/josh-michaels-blog-grassroots-distribution daily 0.75 2014-10-16 http://www.cri.nyu.edu/josh-michaels-blog-grassroots-distribution/post_id monthly 0.5 2014-10-16 http://www.cri.nyu.edu/micahs-blog daily 0.75 2014-10-16 http://www.cri.nyu.edu/micahs-blog/post_id monthly 0.5 2014-10-16 http://www.cri.nyu.edu/michelles-blog daily 0.75 2014-11-11 http://www.cri.nyu.edu/michelles-blog/post_id-2 monthly 0.5 2014-11-11 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1415677082426-309C52AH4YMC3263B3GR/image-asset.jpeg Dynamic Movie Ticket Pricing - Rambling thoughts on willingness to pay for movies https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1415677246187-YK0SWSPYZFWDAET4SHJ2/image-asset.gif Dynamic Movie Ticket Pricing - Rambling thoughts on willingness to pay for movies http://www.cri.nyu.edu/michelles-blog/post_id-1 monthly 0.5 2014-11-11 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1414803463547-A7B6OQ1KO10RZU2V642P/image-asset.jpeg Dynamic Movie Ticket Pricing - Food to film: lessons from variable pricing in restaurants for movies Self-punch? *Head desk*? https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1414801979860-YU7L217MBAV3MHKAOGBN/image-asset.png Dynamic Movie Ticket Pricing - Food to film: lessons from variable pricing in restaurants for movies Screen that customers at Next see https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1414802611207-X0AW26J34YEM9QASEQBE/image-asset.jpeg Dynamic Movie Ticket Pricing - Food to film: lessons from variable pricing in restaurants for movies Ruh-roh. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1414801851791-XU1R8II0Y2FA2PMTSBXH/image-asset.jpeg Dynamic Movie Ticket Pricing - Food to film: lessons from variable pricing in restaurants for movies https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1414802221574-ML7RF7EPWCAL8DB3BXEJ/image-asset.jpeg Dynamic Movie Ticket Pricing - Food to film: lessons from variable pricing in restaurants for movies DIfferent, but similar, eh? http://www.cri.nyu.edu/michelles-blog/post_id monthly 0.5 2014-10-16 http://www.cri.nyu.edu/michelles-blog/category/Michelle+Ow monthly 0.5 http://www.cri.nyu.edu/michelles-blog/tag/Theatrical+Distribution monthly 0.5 http://www.cri.nyu.edu/michelles-blog/tag/Michelle+Ow monthly 0.5 http://www.cri.nyu.edu/ryansilberts-blog daily 0.75 2014-10-16 http://www.cri.nyu.edu/ryansilberts-blog/post_id monthly 0.5 2014-10-16 http://www.cri.nyu.edu/ryan-hellers-blog daily 0.75 2014-10-16 http://www.cri.nyu.edu/ryan-hellers-blog/post_id monthly 0.5 2014-10-16 http://www.cri.nyu.edu/new-blog-1 daily 0.75 2016-01-11 http://www.cri.nyu.edu/new-blog-1/live-documentary-1 monthly 0.5 2016-01-11 http://www.cri.nyu.edu/new-blog-1/determinism-vs-freewill-considering-interactive-film monthly 0.5 2015-12-14 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1450121311512-KMLKVXMZD9FG65HQLHQB/image-asset.jpeg Live Documentary - DETERMINISM VS. FREEWILL: CONSIDERING INTERACTIVE FILM Above, an ethnic German who lived in Poland under Nazi occupation. This still is from the “cutting room floor” of my documentary 130 Year Road Trip. It didn’t fit into the narrative of the overarching film and is not in the documentary. Does it stay on my hard drive until that hard drive fails or can that content be made available to audiences that are interested in watching it? http://www.cri.nyu.edu/new-blog-1/making-history-make-history monthly 0.5 2015-12-07 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1449521678174-YFK3N6IID5QSJUUMFVO8/image-asset.jpeg Live Documentary - MAKING HISTORY MAKE HISTORY Enthusiastic young Nazis in 1934. What if they controlled the narrative? Image courtesy of Bundearchiv http://www.cri.nyu.edu/new-blog-1/historians-on-film-and-why-it-matters monthly 0.5 2015-11-30 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1448922848981-O90GPWF2YV69JKCUF4BX/image-asset.jpeg Live Documentary - HISTORIANS ON FILM AND WHY FILM SHOULD CARE The American Historical Review, volume 93, from 1988. Historians talk turkey about film. http://www.cri.nyu.edu/new-blog-1/two-solitudes-leaving-history-to-the-historianswill-you-walk-on-by-1 monthly 0.5 2015-11-30 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1448923201103-X26ODFHD2CHMGJ4IBO7R/na-1323-4MixedwHats.jpg Live Documentary - TWO SOLITUDES: Leaving History to the Historians/Will You Walk On By? Group of Cree men at Fort Pitt, Saskatchewan, 1884. Image: NA-382-1 courtesy of Glenbow Archives. Questions this image raises: How do we tell these people's stories in documentary form with care, detail and critical distance? Who would each one identify with in The Breakfast Club? Does anyone ever identify with the principal? Note: Mean Girls in the background. http://www.cri.nyu.edu/new-blog-1/how-to-show-tell-the-truth-about-the-past monthly 0.5 2015-12-16 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1448300667055-VMBUS9CO29LP16NPGAWE/image-asset.jpeg Live Documentary - HOW TO (SHOW &) TELL THE TRUTH ABOUT THE PAST IN THE ARCHIVES. Historian Rob Nelson flips though a 19th century book on agrarian policy that is relevant to his research. It was used by soldiers to block out windows in the Battle for Berlin in 1945. Still from 130 Year Road Trip, my feature documentary, that I will be transforming into a Live Documentary: a performance of the the film with onstage music, narration and screened clips. http://www.cri.nyu.edu/new-blog-1/category/Live+Documentary monthly 0.5 http://www.cri.nyu.edu/new-blog-1/tag/history monthly 0.5 http://www.cri.nyu.edu/new-blog-1/tag/film monthly 0.5 http://www.cri.nyu.edu/new-blog-1/tag/documentary monthly 0.5 http://www.cri.nyu.edu/new-blog-2 daily 0.75 2015-11-03 http://www.cri.nyu.edu/new-blog-2/studio-reimagined monthly 0.5 2015-11-03 http://www.cri.nyu.edu/new-blog-2/category/Studio%3A+Reimagined monthly 0.5 http://www.cri.nyu.edu/indieloop daily 0.75 2015-11-02 http://www.cri.nyu.edu/indieloop/stay-tuned monthly 0.5 2015-11-02 http://www.cri.nyu.edu/indieloop/category/IndieLoop monthly 0.5 http://www.cri.nyu.edu/new-blog-4 daily 0.75 2015-11-03 http://www.cri.nyu.edu/new-blog-4/independent-distribution-cronies monthly 0.5 2015-11-03 http://www.cri.nyu.edu/new-blog-4/category/Independent+Distribution monthly 0.5 http://www.cri.nyu.edu/2015-fellows daily 0.75 2015-11-20 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447961790977-BFXBI2LSVD8Y3702MMNX/KimBioPic3.jpg 2015 Fellows - Kim Nelson Kim is a filmmaker and Associate Professor at the University of Windsor in Ontario, Canada. She works primarily in documentary and is currently completing her first written/directed fiction short. She held a previous fellowship with the DAAD (Deutscher Akademischer Austausch Dienst) in Germany 2012-13 and her work has been funded by The Social Sciences and Humanities Research Council of Canada and the Ontario Arts Council. This year at the CRI Kim will work on, and blog about, turning her latest feature length history documentary into a live documentary, essentially a deconstructed theater/film performance, in order to explore the ways we foreground the present in the past and to experiment with ways that filmmakers can create an interactive digital/analog experience that must be witnessed in person. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447961790977-BFXBI2LSVD8Y3702MMNX/KimBioPic3.jpg 2015 Fellows - Kim Nelson Kim is a filmmaker and Associate Professor at the University of Windsor in Ontario, Canada. She works primarily in documentary and is currently completing her first written/directed fiction short. She held a previous fellowship with the DAAD (Deutscher Akademischer Austausch Dienst) in Germany 2012-13 and her work has been funded by The Social Sciences and Humanities Research Council of Canada and the Ontario Arts Council. This year at the CRI Kim will work on, and blog about, turning her latest feature length history documentary into a live documentary, essentially a deconstructed theater/film performance, in order to explore the ways we foreground the present in the past and to experiment with ways that filmmakers can create an interactive digital/analog experience that must be witnessed in person. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447961863166-E6HWNCP6K27439NA9EOF/Dagny+Square.jpg 2015 Fellows - Dagny Looper Dagny Atencio Looper studied artificial intelligence at M.I.T. while in high school as part of the Research Science Institute. She went on to become a presidential scholar at Caltech, graduating with a B.Sc. in astrophysics. While at Caltech, she captained a microgravity flight team out of NASA's Johnson Space Center, observing flight behaviours of drosophila melanogaster. She earned her Ph.D. from the Institute for Astronomy in Hawai'i, investigating planet formation around dying stars. In 2011, she moved to NYC to study writing and directing in the NYU graduate film department. She is a proud member of the National Board of Review and the National Hispanic Foundation of the Arts. Dagny originally hails from Arkansas and enjoys Southern gothic books, Mexican food and science films. In 2014, Dagny co-founded IndieLoop.TV -- a web-platform which helps filmmakers create portfolios and brand their creative work and quickly match producers with crew to fit their needs. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447962080742-1EV8GNZ4T9Y4E93AV19W/david_20cihelna.jpg 2015 Fellows - David Cihelna Bio David: David builds and directs entertainment experiments at NYU’s Interactive Telecommunications Program. He explores the intersection of emerging film technologies and new viewing behaviors between the web and mobile devices. His work includes a mobile film that lets you chat with fictional characters (Glitch The World), a device-agnostic concert film (InConcert), VR live streaming, and a collective crowd speaker (Sparse). Project Description: Super360 is a creative exploration of Virtual Reality Filmmaking as a new tool of expression. Over the next year, we will release short VR films, document a production workflow, explore screenplay writing, directing, acting, staging and post-production for 360 film. Our approach is to learn by doing - so follow our blog, subscribe on YouTube, or reach out to us any time: goo.gl/tnYsFN https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447962172172-XNHL0KGBIU2NWMWOTHR2/matthewgoral.jpeg 2015 Fellows - Matthew Goral Matthew Goral is a creative technologist living in New York City. He attended The School of the Museum of Fine Arts, Boston, for his undergraduate degree, and he is currently a graduate student at the Interactive Telecommunications Program at New York University. Matthew has worked as a designer and technician at a rapid fabrication workshop, a copywriter and designer for content marketing, a creative technologist for an ad agency, and a kindergarten teacher in South Korea. He is focused on building virtual reality as a tool for childhood education, and exploring VR as a unique medium and art-form https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447963283591-A0QNJ9GCRGGWII021L5W/juliuspryor.jpg 2015 Fellows - Julius Pryor IV Born in Montgomery, AL and raised all over the United States. Julius Pryor IV credits diverse background, and an unyielding thirst for knowledge, as inspiration for his creative pursuits. He is a graduate of Morehouse College and is currently a thesis student in the Graduate Film program at NYU. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1447963337762-TYI91WIMSIO63MILWKH4/marttisehill2.jpg 2015 Fellows - Marttise Hill From the heart of America, Saint Louis, Missouri, Marttise Roosevelt Hill is a renaissance global filmmaker striving to connect villages across the globe through unique universal stories about the human experience. Hill grew up videotaping family gatherings with his uncle, which sparked his interest in filmmaking. Hill’s passion for storytelling led him to study English Literature at Morehouse College where he also directed the Miss Morehouse College Pageant, served as Video Production Coordinator for the football team and made five short films. In 2009, Marttise was invited to study at NYU’s Tisch School of the Arts Asia Graduate Film Program in Singapore as one of only twenty-six MFA candidates. In 2011, Hill’s modern Asian western, “Love, Guns and Amy,” won “Best Relationship Short” at the 2011 Stella Artois St. Louis Filmmakers’ Showcase. In 2012, Marttise was inducted into the Boys and Girls Club of Greater St. Louis Alumni Hall of Fame. Hill’s first feature as a producer, CRONIES, written and directed by Michael Larnell had its world premiere at the 2015 Sundance Film Festival. Hill strives to be a voice for the voiceless in his role as a global filmmaker. https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1448053131083-VQZO8IUV8HQ2BENVADZ4/jeongkilim.jpg 2015 Fellows - Jeongki Lim Jeongki is the co-founder of STUDIO. He is dedicated to creating both digital and physical workspace for every filmmaker with his expertise in Design Research and Data Visualization—subjects that he also teaches at Parsons The New School of Design. He comes to Cinema Research Institute with an interdisciplinary background in technology consulting, urban policy, and the military. Jeongki received a Bachelor of Individualized Study in New Media and Visual Culture and a Master of Science in Applied Urban Science and Informatics, both from New York University. http://www.cri.nyu.edu/blog-adirondack daily 0.75 2025-06-10 https://images.squarespace-cdn.com/content/v1/5093f258e4b0979eac7cb197/1363794219378-O1P5OKOXCULCSM9MDWLQ/51811+seattle+0202_2.jpg Blog http://www.cri.nyu.edu/blog-adirondack/2012/11/2/promoted-image-post-xgk8a monthly 0.5 2013-03-20 http://www.cri.nyu.edu/blog-adirondack/2012/11/5/post-without-main-image-78nmj monthly 0.5 2013-03-26 https://images.squarespace-cdn.com/content/v1/5093f258e4b0979eac7cb197/1363810068543-LSTWCMTWHXLLI7G7CN2J/4248826be49d2667ee45cc1191917651.jpg Blog - Fall Collection Preview https://images.squarespace-cdn.com/content/v1/5093f258e4b0979eac7cb197/1364318705412-GH21CGGU3059EY9JCTZU/capetown-1v+138.jpg Blog - Fall Collection Preview https://images.squarespace-cdn.com/content/v1/5093f258e4b0979eac7cb197/1364318719977-FAPEIUQ7O4BZAOZCV1L2/eccapetown-destination+0779.jpg Blog - Fall Collection Preview https://images.squarespace-cdn.com/content/v1/5093f258e4b0979eac7cb197/1363810057241-IJXVC4ENPH9AP2K7JVRJ/1ba5be474666752d8357a67e4c6e9800.jpg Blog - Fall Collection Preview http://www.cri.nyu.edu/blog-adirondack/2013/3/20/fusce-bibendum-venenatis-xb2z9 monthly 0.5 2013-03-20 http://www.cri.nyu.edu/blog-adirondack/2013/3/20/text-post-bkdm5 monthly 0.5 2013-03-20 http://www.cri.nyu.edu/blog-adirondack/category/category1 monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/category/category2 monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/tag/tag2 monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/tag/no+image monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/tag/lighthouse monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/tag/Ridiculus monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/tag/image monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/tag/tag1 monthly 0.5 http://www.cri.nyu.edu/blog-adirondack/tag/Cras monthly 0.5 http://www.cri.nyu.edu/global-film-connect daily 0.75 2014-11-07 http://www.cri.nyu.edu/what-we-do daily 0.75 2014-10-16 http://www.cri.nyu.edu/project-catalyst daily 0.75 2014-10-07 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1411964606153-9CECX2SJ1EQUPTZEBIDD/Project+Catalyst+mobile+app Project Catalyst http://www.cri.nyu.edu/grassroots-distribution daily 0.75 2014-09-29 http://www.cri.nyu.edu/about daily 1.0 2014-12-22 https://images.squarespace-cdn.com/content/v1/5425e769e4b0f1b39f8abfd9/1413481830794-Y0AB2FURKYTTTS2YPZE8/Cinema+Research+Institute+Logo About http://www.cri.nyu.edu/contact daily 0.75 2014-12-19 http://www.cri.nyu.edu/virtual-toolbox-1 daily 0.75 2014-11-07 http://www.cri.nyu.edu/new-page-1 daily 0.75 2014-12-19 http://www.cri.nyu.edu/contact-adirondack daily 0.75 2025-06-10 https://images.squarespace-cdn.com/content/v1/5093f258e4b0979eac7cb197/1364322577538-V3NIJN5WK1186WVE48UP/51811+seattle+0096.jpg Contact Us